Author Archives: Rebekah Cupitt

Rebekah is a lecturer in Digital Design at FMACS, Department of Film, Media and Cultural Studies at Birkbeck College, University of London, U.K. Her research focuses on the intersections of dDeaf identity, media technologies, and organisations.
The image shows crumpled paper in the foreground and a computer screen with a text file open in the background. The paper in the foreground is scribbled full of notes - the discarded drafts of earlier versions of the article I was struggling to write. The text on the computer screen is of the umpteenth draft of the same article - no easier to write on a computer than it was with pen and paper.

Writing disability

When writing inequalities, the language we use and our writings betray the power dynamics and the unequal relations that stem from the world we as researchers come from. This post explores how these inequalities play out in the worlds we embed ourselves in as outsider researchers and are apparent in what we write through a reflection on my own research with dDeaf  television producers and actors in Sweden. (read more...)

Our Digital Selves: What we learn about ability from avatars

Editor’s Note: This post was written by Donna Davis, PhD – University of Oregon and is the sixth post in the series on Disabling Technologies Imagine sitting on the beach on a beautiful day. The sun is rising and the birds singing. Wisps of clouds gently float by as the surf rhythmically rolls in and out at your feet and the children frolic in the sand. You can almost feel the heat of the sun, only you can’t — because you’re sitting in a virtual world. Such is the experience of the childless agoraphobe who may never see the ocean again. Virtual worlds have always been places of both escape and entertainment. For people with disabilities, this notion of escape comes with far greater opportunity but also risk. The risk is that this escape is tied to a simplistic understanding of both virtual reality and disability – especially where people who have never experienced either assume an individual with disabilities may want to abandon their physical experience for the comfort of a virtual one. (read more...)

A bulky machine with a few keys sits on a large black table, with other supplies on it in the background, and a large informational poster about braille hangs on the wall behind it.

As If I Were Blind…

What is an experience and how can it be conveyed and communicated to others? “A focus on “The Experience” signals a technology has been designed with a consideration for the user’s experiences. It is supposed to indicate  a technology’s role and contribution to everyday life, and the likelihood of its success once implemented. Given its popularity in design contexts, the term “experience” seems unusually rare in anthropology, with a few notable exceptions (e.g., Bruner, 1986; Turner, 1986; Hastrup, 1995, for example). This is so despite the fact that we, as anthropologists, can definitely be said to “experience” a way of living other than the one we are used to when we carry out fieldwork. This experience begins with our first encounter with another culture and its people, and continues into the writing stage, with our concerted attempts to communicate the complicated cultural aspects of the places and peoples we study (read more...)

Fire alarm devices designed to vibrate and alert deaf employees at a Swedish company in the case of a fire.

What the $@#! is an “implication for design”?

Editor’s Note: This is the first post in the series on Disabling Technologies The upcoming theme for the Association for American Anthropologists Annual Meeting is “Anthropology Matters.” While clearly signalling the need for anthropologists to engage and contribute to current social and political affairs in the U.S., the theme can also be interpreted more generally. Today, we’re announcing an upcoming thematic series, Disabling Technologies, which will look at how anthropological perspectives matter for technology designers working in contexts of health, disability, and equality across the globe. (read more...)