Category: Queering Surveillance

Surveillant Materialities of Migrant (Im)mobility: Reconceptualizing Border Technologies

After lunch on the day I arrived at Casa Begoña Migrant Shelter in Matamoros, Tamaulipas, México, Doña Paquita, a shelter director, came to fetch me from the comedor, or the dining space, outside the back of the shelter.[1]  “I want clear information so I know what to tell El Padre [the priest] in case he asks about why you are here.” She stopped walking once we were in the waiting room in front of the kitchen and quickly pointed to the video camera at the left corner. “El Padre sees everything. The camera is always on, it’s recording and transmits to his office.” (read more...)

The Surveillance Cyborg

Editor’s Note: This post is part of our ongoing series, “Queering Surveillance,” and was co-written with Alexander Wolff. Surveillance is an embodied experience, both being watched and watching. The sheer number of concert-goers recording Cher’s “Here We Go Again” concert this past year with their phones had them trade singing and dancing for an act of documentation. Whether the recordings are to remember the experience later, share the experience with others, or to simply document one’s presence in that space and at that time, recording the concert on one’s phone becomes an experience in its own right. They are present in the space, but their attention is about both what is happening in the here and now and the recording that filters the experience in the future. Their phones and recordings are central to their embodied experience, fused into one like a cyborg traveling across space and time in the moment. Add to this that countless concert-goers are recording the same concert from their individuated perspective, and thus the concert becomes infinite and virtual—of course, the way Cher was always meant it to be. (read more...)