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A dome surveillance camera mounted on a white ceiling tile. A hallway is reflected in the camera’s plastic housing.

Staring Contest

It’s 3 in the morning. I’m sitting at the end of the hallway of the boomerang-shaped intensive care unit (ICU) where I work, looking into the darkness beyond the unit’s only window. When I’m on the unit, the world outside the hospital transforms into something entirely remote—intangible, imperceptible, inconsequential. I force myself to imagine the scent of the fresh air I will inhale when I leave. It’s hard to remember that the world is pulsing with life outside these walls. The hospital’s resistance to darkness and quiet permeates the boundaries of reality itself. The fluorescent lights transform me into something other than a person, washing out the details that make me Sophie. In here, I can lose myself. In here, I am lost. (read more...)

A selection of foraged plants and fungi are cleaned and laid out in bowls

The Wild Pantry

Finally, it’s time. As a team we have arrived in Cambodia—a geographer and an anthropologist embarking on a journey that we have joyfully planned for the last few months. The project we are working on is Plant Planet Plate, which brings together the work of the Green Shoots Foundation, which is led by me (a geographer), in rural development and agriculture with the research and skills in plant humanities of Dr. Ashley Thuthao Keng Dam, a medical anthropologist. Our fieldwork consists of conducting 50 interviews with people living in Oddar Meanchey Province, located in the North West of Cambodia, on wild foods and medicinal plants that they forage. We also intend to take voucher specimens of plants we come across to be submitted to the herbarium at Royal University of Phnom Penh. Once the data is collected, we will analyse and conduct further desk-based research to write essays on the different plants we think stand out in cultural significance and overall preference. A crucial component of the work is having these essays available online in English, Khmer, and French, so they are more accessible to both Khmer nationals and those abroad. This is essential for science communication and knowledge sharing, especially as it relates to biodiversity preservation initiatives, along with a greater understanding of food ingredients, where they come from, perhaps even how they got there and ensure sustainable diets for all. (read more...)

Image composed of several smaller images next to each other representing skin lesions. The skins are all white, with a pinkish hue. The lesions are darker red

“The Day I Discovered I Was Collaborating on a Eugenics Project”: On Imponderables in Collaborative Research

The title that opens this reflection is a statement by computer scientist Sandra Avila, who is also a co-author of the lines that will flow here. Her account took place during the recording of a podcast on science and feminism. In that situation, Avila recounted a non-trivial research experience. She may never have been able to talk about it with her colleagues in computer science, let alone with collaborators in dermatology who offered their “expertise advice.” It was in informal conversations with feminist researchers that Avila found a safe place to talk about a situation that had made her cry with anger because she felt cheated. (read more...)

Making Companion Species at a Robotics Lab

I spent many a warm summer day holed up inside a robotics laboratory, analyzing various datasets for my Human-Robot Interaction (HRI) research project. The room was often dark and the windows were small. My desk, located in the left corner furthest from the entrance, rarely received any sunlight. On several days, the lab would be empty. I’d be left with nothing but the company of browning tube lights, dangling cables and wires, and robots used in the lab’s Human-Computer Interaction (HCI) experiments. (read more...)

“Blooming Biomes Mean Blooming Profits”: ‘Nature-based’ Industrial Farming and the Politics of the Industrial Animal Microbiome

Industrial trade shows are curious places. Potential customers milling around more than 500,000 square feet of exhibit space; technoscientific exuberance and hype; snappy names and enticing displays; hungry and nondiscriminatory grabs for whatever is free; networking spaces facilitated by their offerings of food and drink; and extravagant product demonstrations all collide in the fervor of selling, or at least showing off, the most innovative piece of technology. Here are other details that make industrial trade shows political places of assemblage: the racialized, gendered nature of maintenance and service work that help make an event as large as this run; the uneven representations of corporate power through the different sizes of trade floor allotment and who runs them; the ways in which some companies use gendered labor and performance (high heels, tight and low-cut shirts, and bright red lipstick) to attract onlookers to their booth; and the juxtaposition between these efforts against a company’s tagline behind them that says, as one example, “Leading the world to the future.” This blog post draws on participant observation at industrial agribusiness trade shows, specifically the International Production and Processing Expo (IPPE). The IPPE is the largest trade show displaying domains (technology, service, innovation, supplies) related to the entire gamut of processing, feed manufacture, and the production of eggs, meat, poultry. Given the enormity of all there is to study, my efforts are mainly focused on the marketing materials around and promises of future feed that industry trade shows enroll. As such, this blog post focuses on a few developments in the arenas of ‘nature-based’ methods of industrial farming that target the industrial animal microbiome. (read more...)

Woman manipulating an IBM mainframe computer, image in black and white.

AI as a Feminist Issue

By choosing to look at the funding from the American Government on this field, I aim to tell a different story about AI. A quick search for the word “librarian” on Google reveals images upon images of women holding books amongst big shelves, attending to patrons, reading stories for children, or stocking book shelves. Librarian is one of those professions that, like many others, such as nurse and secretary, have been associated with the female world.  If this text is about AI, you might be asking why I’m writing about libraries and librarians–but as scholars Safyia Noble (2018) in her Algorithms of Oppression and Monica Westin (2023) more recently have shown, what most people in Western countries usually understand as the internet, and what fuels the data collection of digital information that feeds generative artificial intelligence (AI) such as ChatGPT, was first started in the 1970s by groups of librarians (read more...)

Left image: fish-eye view inside a truck cab. A woman is driving the truck and a man sits in the passenger seat. An oxygen tank sits between them. Right image: A woman squats on grass outside while washing clothing in a white bucket. A red truck is visible parked in the distance.

Female Truck Drivers in China Navigate Gender Norms on Douyin

It’s dark outside: 4:34 AM. I am peering through a truck’s windshield, gazing at a seemingly endless stretch of highway. “Female truck driver Li Ping is live streaming,” reads the title above the Douyin video player. It’s accompanied by the option to follow Li Ping’s account. Li Ping and her sister converse with fans, their voices audible, but the camera remains directed out the window, capturing the drive and road ahead. “Have you all woken up from a night of sleep?” a voice asks. It belongs to Li Ping’s younger sister, whose weariness is evident in the countless yawns that follow. The chat springs to life as fans engage, their messages reflecting varied states of wakefulness: some have just risen, some couldn’t fall asleep, and others are truck drivers like Li Ping who have been awake and on the road. A robotic navigation voice reminds them to take a break. The camera captures the uninterrupted expanse of mountains; rest stops and service areas are nowhere in sight. Fans implore Li Ping’s sister to turn the camera and reveal herself and her sister. She replies, enticing them with the promise that if gifts are given, they will be granted a glimpse. The navigation voice reminds them again to take a break. They continue driving on. Below, a row of vibrant stickers awaits my interaction, offering the opportunity to support Li Ping through virtual items like hearts, flower bouquets, and cars, which streamers can later cash out for real money. (read more...)

A volunteer sorts out the morphine tablets for the patient to take home, under the guidance of a medical professional/doctor

Between Pain and Relief: Morphine’s Ambiguities in India

The root of the word morphine is Morpheus, the Greek god of dreams. Neil Gaiman’s contemporary reimagining of the character in his magnum opus Sandman likewise thrusts upon us a gothic titular figure, constantly morose, deeply troubled, and yet a benevolent god of dreams that embodies everything human. Perhaps it should be no surprise then that in the modern world this character’s namesake, morphine, the gold standard of medically prescribed painkillers (Ruiz-Garcia and Lopez-Briz 2008), offers a similarly troubling medical story, evoking in equal measure the contingent histories of pleasure and war, relief and addiction, commerce and regulation. In few places is this more apparent than in India. Legal opium is grown throughout certain regions of the country for the sole purpose of pharmaceutical production, yet irrespective of this robust industrial production, very little morphine is used within the country’s own hospitals (Rajagopal and Joranson 2007). This is a story that involves both the everyday impacts of restrictive regulation, and a local palliative care movement intent on widening access to the drug. (read more...)