Tag: Genetics

Writing Science: Viewing Science as Social Practice in the Composition Classroom

Composition endures, in fact thrives, at universities that are heavily invested in science, technology, engineering, and mathematics. But, this also means that composition instructors who are primarily trained in the Humanities and Social Sciences may encounter more and more students whose interests and majors are (for some) somewhat alien. Put simply, STEM topics do not readily offer themselves up to make writing assignments for broad audiences, and students may struggle in constructing them. A further challenge in working with STEM students has to do with their dispositions toward critiques of science and ideology. Students in STEM fields may not have been exposed to the possibility that social norms have been packaged into scientific knowledge production, and they sometimes find such suggestions threatening. One way to productively engage students STEM topics is to highlight that science as a social practice. That is, science not entirely viewed as the ‘discovery’ of facts, but as a pursuit embedded within particular cultural and historical contexts. Scientific knowledge is produced and disseminated by people for other people, and so must follow the social and rhetorical codes of its times. Viewed in this way, scientists do not ‘reveal’ the nature of the world, but rather make arguments about it. As those arguments ‘go public,’ their authors take on a broader set of interests, concerns, presuppositions, and stakeholders than might be encountered among expert audiences. (read more...)

The Work of Art in the Age of Digital Reproduction: A Conversation with Heather Dewey-Hagborg

Walter Benjamin’s well-known piece the “Work of Art in the Age of Mechanical Reproduction” has long been a canonical essay on the role art plays in the age of automation. Benjamin saw art both as fueled and altered by mechanization. In a conversation with artist Heather Dewey-Hagborg, a partial transcript of which follows below, the role of art in the age of digital reproduction, to paraphrase Benjamin, emerged as a critical theme. Heather’s work, which spans over a decade, is a complex meditation on the contemporary experience of widening digitization. Her work Stranger Visions is perhaps the best known: a project where she reconstructs faces from DNA left on refuse she’s found on the street – a chewed up piece of gum, a stray piece of hair, a lip stain on a glass – into voluptuous, three dimensional portraits. During our conversation, we talked about the creative and the intellectual (read more...)