Tag: intellectual property

Do We Inherit Abandoned Game Worlds?

Evan Conaway November 27, 2018

When you’re playing an online game and it gets shut down, typically a message flashes on the screen that says something like: “You have been disconnected from the server.” This very message indicates that it is not just “the game” per se that you’ve been disconnected from. What is “the game” after all? In reality, players are connected to a shared version of a virtual world thanks to the workings of servers, those digital devices that make up the backbone of the internet and of virtual worlds, like Second Life and World of Warcraft. When a virtual world dies, when it’s “turned off,” the player is no longer accessing the same server as their friends. In fact, they’re not accessing any server at all. When the server is turned off, the game world is popularly said to have been abandoned—its software becomes referred to as “abandonware.” And just like that, a whole world dies. This post reflects the work of one group of video game enthusiasts and how they are actively working to bring so-called “abandoned” online games back to life by reshaping copyright laws and redefining games as cultural heritage. (read more...)

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Privacy and Piracy: Investigating Unauthorized Online Gaming

Evan Conaway February 8, 2018

Editor’s Note: This is the third post in our Law in Computation series. When we play an online game like World of Warcraft, where are we? This is not just a metaphysical question—are we in the fantasy world of Azeroth or in front of our computers—but a legal one as well. And there are multiple answers to that legal question. We might take a look at the space of intellectual property at the level of code and creation, whether corporate or by the players. There is also the space of law within the game, of the rules and norms guiding play (De Zwart and Humphreys 2014). What I’m concerned with here, though, are the servers, located in physical places, that connect players through infrastructures of connection whose worlds are sometimes disconnected by proprietary and computational decisions of game world owners. Servers keep online games alive. When online gamers talk about a game world being disconnected, they often point to the server as being “unplugged” or “turned off.” While official game servers are typically owned by game developers and corporations, players are now harnessing this power themselves, using privately-owned servers (“private servers”) as a viable solution for restoring and sustaining older versions of online games previously consigned to oblivion. But why? (read more...)

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Notes from Art of the Archive: Rethinking Archival Practices in a Digital Era

Allison Fish June 16, 2015

This post describes a workshop on archival practices in the digital era that took place on May 21, 2015, at the University of California, Davis. The essay is co-authored by Alessandro Delfanti, Allison Fish, and Alexandra Lippman. Delfanti, Fish, and Lippman are postdocs with UC Davis’ Innovating Communication in Scholarship (ICIS) project. On May 21, 2015, the Innovating Communication in Scholarship project at the University of California, Davis held a one-day workshop on Art of the Archive. Papers given by the fifteen invited speakers explored the changing nature of the archive given the emergence of new information and communication technologies. These presentations largely focused on how these new digital archives are not merely technical creations, but are also constructed through social processes, have social impacts, and are not seamlessly implemented in everyday life. Instead, these digital storehouses are vibrant spaces for curating, organizing and publishing cultural heritage and expressive culture in new ways. In taking up this discussion three primary topics emerged and are described below: questions about access, circulation, and research design. (read more...)

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Aaron’s Call

Luis Felipe R. Murillo August 11, 2014

On the morning of January 11th, 2013, the Internet entrepreneur and political activist Aaron Swartz was found dead in his apartment in Brooklyn, New York. Soon after the news reached the Internet, manifestos and hackathons were organized to celebrate Aaron’s political and technical work. In a matter of weeks, parallel events were organized across the United States, finding solidarity with Internet technologists and activists abroad. This collective effervescence elaborated on a narrative to evaluate the present, help to frame the past and project the future in relation to Aaron’s accomplishments and indictment for computer crime. One year after Aaron’s passing, Brian Knappenberger‘s documentary “The Internet’s Own Boy: The Story of Aaron Swartz” was screened at the Sundance Festival and publicly released this past June. As far as the narrative goes, the spectator is offered a reconstruction of Aaron’s life with key elements for debate regarding legal overreach in his case. Knappenberger’s work was very careful in attending to the details. Despite the familiarity of most of us with the succession of events, there is much to be gained from the documentary if its depiction of Aaron’s trajectory is to be interpreted vis-à-vis broader, transnational battles on the grounds of intellectual property enforcement and expansion. (read more...)

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Translating South Asian Classical Medicine for Global Markets

Allison Fish May 20, 2014

Science, patent law, and language Many traditional forms of knowledge, such as South Asian classical systems of medicine like Ayurveda, are increasingly targeted as prime sources of market value that can be effectively captured and managed through the assertion of intellectual property (IP) rights. This expanding reach of IP has sparked heated debates marked by a deep concern that the very foundations of creativity, culture, and even humanity are increasingly subject to privatization. The case of turmeric, a plant-based powder commonly used throughout South Asia both as a spice in everyday cooking and in Ayurvedic remedies, provides a key illustration of the transformative forces at work when intangible cultural heritage enters into and circulates through the global marketplace for complementary medicine (expected to reach $115 billion per year by 2015). Legal challenges to patenting turmeric’s healing properties elucidate processes of privatization at the intersection of IP rights, medicine, and intercultural knowledge production. (read more...)

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