Tag: India

Premediations of Carcerality: Notes on Targeted Surveillance in Postcolonial India

This post explores the surveillance of letters across two time-periods in postcolonial India: mail letter interception immediately following India’s independence in 1947, and the contemporary use of letters as incriminating evidence against human rights activists in the ongoing Bhima Koregaon-16 (BK-16) case. The BK-16 is a group of activists including academics, journalists, lawyers, artists, poets, and dissenters who were imprisoned through a series of coordinated arrests by the police in different parts of India June 2018 onwards. They were arrested under the draconian Unlawful Activities Prevention Act (UAPA), India’s anti-terror law that empowers the government to arrest citizens without any judicial process. Many of them are Dalits, representing India’s most marginalized caste. The BK-16 advocate for the human rights of India’s poorest and most oppressed communities, and overtly oppose the ideology of Hindutva, a Hindu supremacist nationalism espoused by the ruling Bhartiya Janta Party (BJP) since 2014. (read more...)

Waves of Well-being: Surfing at the Shaka Surf Club in Kodi Bengre, India

Surfing’s roots are in long-standing cultures in the Pacific Islands, South America, and West Africa. After wave-riding was banned by European Missionaries who deemed it leisurely and “savage,” surfing’s contemporary “revitalisation” took place in Hawaii where it became a notable phenomenon of the 20th century. Nowadays, surfing represents a subculture around an “alternative” sport, a lifestyle, and an art with profound personal and lifestyle implications (Ford & Brown, 2006). Likewise, in India, particularly in the fishing village Kodi Bengre, surfing means much more than simply sliding along a wave. This qualitative study captures how the Shaka Surf Club shapes perceptions of well-being and mental health in surfers and surrounding community members in Kodi Bengre. (read more...)

Between Pain and Relief: Morphine’s Ambiguities in India

The root of the word morphine is Morpheus, the Greek god of dreams. Neil Gaiman’s contemporary reimagining of the character in his magnum opus Sandman likewise thrusts upon us a gothic titular figure, constantly morose, deeply troubled, and yet a benevolent god of dreams that embodies everything human. Perhaps it should be no surprise then that in the modern world this character’s namesake, morphine, the gold standard of medically prescribed painkillers (Ruiz-Garcia and Lopez-Briz 2008), offers a similarly troubling medical story, evoking in equal measure the contingent histories of pleasure and war, relief and addiction, commerce and regulation. In few places is this more apparent than in India. Legal opium is grown throughout certain regions of the country for the sole purpose of pharmaceutical production, yet irrespective of this robust industrial production, very little morphine is used within the country’s own hospitals (Rajagopal and Joranson 2007). This is a story that involves both the everyday impacts of restrictive regulation, and a local palliative care movement intent on widening access to the drug. (read more...)

You Are What You Grow: Crops, Cultivation, and Caste in India

Fieldwork can produce odd obsessions. As an anthropologist studying agrarian risk economies, mine was onions. In the central Indian region of Malwa where I conducted research, onions seemed to be everywhere. As I observed (and occasionally, but poorly, assisted with) farm work, I became fascinated by the bulb: its seasonal shades of pink shifting from winter magenta to a spring blush; the way its bright green stalks stood perfectly upright in the field; the speculative frenzy of the auction during peak season; its pungent flavor in raw, pickled, or fried form; and not least, the unexpected wealth it produced for a few and the dashed hopes and devastation it wreaked on most others. (read more...)

​​Traveling but Not Arriving: Hieroglyphics of Caste in Computing

When I landed in Bangalore in early 2020, it was a long-awaited moment of my grad school journey. I had finally defended my proposal and was set to transition into fieldwork in the next couple of months. In my preparation for fieldwork, I had read many ethnographies, most of which had an arrival scene. It seemed that the first couple of weeks of entering a field site presented a crucial lever of juxtaposition for ethnographic writing that lends itself to evocative descriptions of the setting. The “arrival trope” has been long challenged in anthropology through accounts that complicate the narrative of an ethnographer entering an unperturbed native setting (Pratt 1986). Pratt also complicates the artificial distinction between personal narrative and “objective” description, particularly as they are blurred in moments of transition or arrival in ethnographies. For me, the trope of arrival was exciting despite all its problems because it finally gave me an opportunity to re-enter a world that I was familiar with and describe it on my own terms. I had worked as a software engineer before and now wanted to study gender and caste relations in the computing industry. Dalits, formerly seen as “untouchable” under the caste system, and other lower caste people, have been subjects of upper castes doing research for a very long time. I was looking forward to subverting the arrival trope as a Dalit woman doing ethnography where upper castes were my research subjects. I wanted to do this through participant observation in the computing industry that is highly dominated by upper castes. (read more...)

Enigmas of Corporeal Justice: Surrogacy and Legality in India

Over the last two decades, India has become a popular global destination for what is commonly referred to as reproductive tourism, wherein clients travel from one part of the world to another to seek biomedical interventions to help them have children. Breakthroughs in assisted reproductive technologies (ART), such as in-vitro fertilization (IVF), have led to a boom in surrogate pregnancies as a means of having children, with international clients (mostly from the Global North) flocking to countries in the Global South, like India, to avail of these services. Like much of the medical tourism industry, this movement is motivated by access to state-of-the-art medical facilities, skilled professional care, along with remarkably low costs and the availability of poor bodies to extract from. (read more...)

Regulating Misinformation from the Global South

India is among the top three internet markets internationally with nearly seven hundred million users. What can debates in India about protecting user privacy under right-wing authoritarian political regimes highlight about social media platforms and the spread of misinformation? In February 2021, the Indian Information Technology, Law and Justice Minister announced wide-ranging regulations over social media firms, streaming services, and digital news outlets that require firms to enable traceability of end-to-end encrypted messages, acknowledge takedown requests of unlawful, misleading, and violent content within twenty-four hours, and deliver a complete redressal within fifteen days. Less sensitive cases, such as those engaging explicit sexual content, are required to be removed within twenty-four hours, and companies are required to establish local offices staffed with senior officials to deal with law enforcement and user grievances. These new regulations pose new challenges for technology giants which count India, Asia’s third-largest economy, as a key overseas market. These gains increasingly struggle with Prime Minister Modi’s government as his promise of muscular economic progress increasingly reveals itself to be ambivalent economic nativism. (read more...)

Like, Share, Comment, and Follow: Labor and Capital on Instagram

Social media content creator Ishita Mangal (@ishitamangal) uploaded a post with multiple slides on her Instagram page. The first slide is entitled “an apology letter to my audience.” In the rest of the slides, she highlights a “barter collaboration” gone sour. The collaboration entailed the digital creator featuring four Indian kaftans (a type of clothing) brands on her Instagram page in exchange for keeping the outfits that she would feature. One of the brands was singled out, with their Instagram handle mentioned in the caption for viewers of the post to easily access. The brand was accused of harassing the digital creator; walking back on the terms of the agreement; asking for the garment in question back after “absorbing maximum benefits of all the posts on various platforms.” The digital creator proceeds to tell the tale of harassment and “extortion” she experienced at the hands of the luxury brand owner. (read more...)