caste | Platypus

Photoshopping Desire: Gender, Caste, and the “Authentic” Self

 Lakshita Malik  September 6, 2022

In an Instagram post by a photographer @photo_paparazzo, we see what the labor of creating a perfect picture looks like. The video, set to trending music, shows a woman in a bridal outfit being helped up a wooden ladder to the roof of a room on a terrace by three men. One of the men is holding a camera. Once the woman is on the roof, the photographer takes the mesh maroon-colored dupatta and wears it over his head, presumably to show the bride how to pose. The text on the video reads, “What goes behind creating that “ONE PERFECT SHOT” for our brides @photo_paparazzo.” The caption reads: “To one of the favourite parts of our job, creating EFFORTLESSLY beautiful portraits and memories for the brides to remember (cry-laughing emoji)…kudos to the team and most important each and every bride of @photo_paparazzo and being the sport of our creativity (red heart emoji).” The video ends with two stunning shots of the bride, captured in the golden yellow light from a setting sun (what is referred to as the golden hour). The video has amassed 6.7 million views, 970 thousand likes, and 1,571 comments. A cursory look at the comments reveals positive reception of the video. The comments range from the use of only emojis (fire emoji, red heart emojis, heart eyes emoji, among others) reflecting appreciation to more overt comments acknowledging and recognizing the efforts put in by the photographers. One particular comment on the post, however, deviates from this general trend and points out how the same effect could have been achieved using far simpler techniques that did not require the bride to be helped up a rickety ladder. Part of the comments reads, “You guys could have easily went to any open space and put her on a stool or something .” The OP (Original Poster) replies to the commenter, “Simple things don’t get you extra ordinary results (upside down smiley emoji).” Another commenter adds to this discourse, “ is photoshop is made for joke 3min work with 2022 edition .” (read more...)

Traveling but Not Arriving: Hieroglyphics of Caste in Computing

 P V  March 29, 2022

 Listen to a reading of this post.

When I landed in Bangalore in early 2020, it was a long-awaited moment of my grad school journey. I had finally defended my proposal and was set to transition into fieldwork in the next couple of months. In my preparation for fieldwork, I had read many ethnographies, most of which had an arrival scene. It seemed that the first couple of weeks of entering a field site presented a crucial lever of juxtaposition for ethnographic writing that lends itself to evocative descriptions of the setting. The “arrival trope” has been long challenged in anthropology through accounts that complicate the narrative of an ethnographer entering an unperturbed native setting (Pratt 1986). Pratt also complicates the artificial distinction between personal narrative and “objective” description, particularly as they are blurred in moments of transition or arrival in ethnographies. For me, the trope of arrival was exciting despite all its problems because it finally gave me an opportunity to re-enter a world that I was familiar with and describe it on my own terms. I had worked as a software engineer before and now wanted to study gender and caste relations in the computing industry. Dalits, formerly seen as “untouchable” under the caste system, and other lower caste people, have been subjects of upper castes doing research for a very long time. I was looking forward to subverting the arrival trope as a Dalit woman doing ethnography where upper castes were my research subjects. I wanted to do this through participant observation in the computing industry that is highly dominated by upper castes. (read more...)