Tokens, Voids, and Archives: Locating Berlin’s NFT Projects
I’m standing on the train platform of U Schloßstraße, an U-Bahn station in Berlin’s Steglitz neighborhood. In front of me is an artwork: a beauty advertisement depicting a smiling woman. The model’s image has been altered with chemical solvents, giving her skin a brushwork-like texture and her complexion a ghostly paleness. I observe the dark, graffitied station around me. The arrivals board says the time is 5:20, but I’m unsure whether it’s early morning or evening. Commuters are wearing winter jackets and KN95 masks. Some read books as they wait for the train. Four young men play a game of tag. I hear the hum of an incoming U9 train and watch its arrival soon after. The doors open and the announcement blasts: Zurückbleiben bitte. Passengers leave the yellow train cars before new ones enter. After a beep, the doors close and the train hums away. The platform empties, leaving only the model’s altered image in my company. Pleased with the experience, I remove the VR goggles and return to a pop-up art gallery on Kurfürstemdamm, Berlin’s famous shopping street. This VR artwork, part of the Immersion series by the artist Vermibus, is now preserved on the Ethereum blockchain as an NFT. It was purchased for 2.4 ETH by Lango1 and remains tied to that user’s Ethereum wallet. Lango1 now owns a singular, authorized copy of the artwork—and with it, a Berlin moment whose physical version has been lost to time. (read more...)