On the morning of January 11th, 2013, the Internet entrepreneur and political activist Aaron Swartz was found dead in his apartment in Brooklyn, New York. Soon after the news reached the Internet, manifestos and hackathons were organized to celebrate Aaron’s political and technical work. In a matter of weeks, parallel events were organized across the United States, finding solidarity with Internet technologists and activists abroad. This collective effervescence elaborated on a narrative to evaluate the present, help to frame the past and project the future in relation to Aaron’s accomplishments and indictment for computer crime. One year after Aaron’s passing, Brian Knappenberger‘s documentary “The Internet’s Own Boy: The Story of Aaron Swartz” was screened at the Sundance Festival and publicly released this past June. As far as the narrative goes, the spectator is offered a reconstruction of Aaron’s life with key elements for debate regarding legal overreach in his case. Knappenberger’s work was very careful in attending to the details. Despite the familiarity of most of us with the succession of events, there is much to be gained from the documentary if its depiction of Aaron’s trajectory is to be interpreted vis-à-vis broader, transnational battles on the grounds of intellectual property enforcement and expansion. (read more...)