Research | Platypus

High-Tech Hand Work: When humans replace computers, what does it mean for jobs and for technological change?

 Ben Shestakofsky  July 7, 2015

Author’s Note: Since its initial publication, I have reframed this post to more fully integrate the argument and data. This revised post reflects these changes. Recent years have brought a resurgence of interest in how the rapid evolution of computer technologies is affecting work. Some have examined how smart machines are replacing manual labor, swallowing up the manufacturing jobs that have driven the growth of China’s economy. Others reveal how algorithms are supplanting knowledge workers. “Big data” and “machine learning” techniques help software engineers create algorithms that make more accurate and less biased judgments than well-trained humans. Software is already doing the work of medical lab technicians and replicating higher-order cognitive functioning, such as detecting human emotions and facial expressions, processing language, and even writing news articles. Technology has long played a role in both eliminating certain types of work and creating new opportunities. Today’s debates often echo those of the past: technophiles believe that “disruption” is a source of social progress, whereas detractors worry that the coming waves of automation will deepen the insecurity and exploitation of workers. Both sides, however, often overlook the surprising ways in which, rather than creating “frictionless” economies, automation can in fact intensify the use of human labor. In the remainder of this piece, I compare an exemplary study of the industrial revolution of the 19th century with a case study from the front lines of the automation revolution that many believe is now underway. In the Victorian era, new machinery did not replace human workers, but in fact often expanded their use. The same was true at a tech startup that I observed, where artificial intelligence was combined with the routinized application of human labor. Both of these cases draw attention to the specific ways in which technology restructures labor markets not only by eliminating jobs, but also by creating new types of work that must keep pace with machinery. (read more...)

In Search of Convergence, In Search of Consensus: Design media in a university architecture studio

 Claire Nicholas  June 23, 2015

That’s not meant to be a comprehensive design drawing. That’s meant to say, ‘Scape is comprised of people, plants, hardscape materials,’ and that’s the language. So, we should squint at it, see the language, accept the language, the density, how it’s allocated over the site, and—boom—move on. But we get struck with confusion that says, ‘What’s that green thing? How does that fit into the scape?’ So we end up having a conversation about what it is we’ve done, or how we’ve done it, or communicated it, rather than the substance of the idea. We have to note that—we can’t build consensus on stuff we can’t communicate—because everyone’s trying to figure out what we’ve done. With these comments, the architecture professor tried to reclaim control over his students’ design review, which had been sidetracked by the jury’s questioning. The jury, composed of other faculty in the architecture and landscape architecture departments, was confused about a secondary element of a project to redesign the façade and site of an American university school of architecture building. I was there as an ethnographer of architecture pedagogy and design process for a comparative multi-institutional research project involving four Canadian and American schools of architecture. The discussion revolved around a series of digital drawings, and a student’s narration of those drawings, displayed on a large flat screen placed in front of the audience. The time spent trying to parse and probe the “meaning” of the drawings, mediated by both the visual and linguistic dimensions of the presentation, was diluting what the students and their professor had hoped would be the principal thrust of the presentation, and drawing attention to an area of the design that was less well-developed. As Luke, the professor, pointed out, the conversation was not only distracting from the “the substance of the idea” (i.e., the design); it was threatening to undermine consensus—in a sense, the approval of the audience—which would allow the project to move forward. (read more...)

Entertaining Science: A report from a colloquy at the intersection of science and entertainment

 Todd Hanson  June 9, 2015

As you read this post, members of a community of like-minded scholars are unwinding after a weekend symposium at the UK’s University of Manchester. The symposium Stories About Science—Exploring Science Communication and Entertainment Media explored the intersections of science with entertainment from various disciplinary perspectives and as experienced by a diverse range of publics. Organized through the University of Manchester’s Centre for the History of Science, Technology and Medicine (CHSTM), the SAS symposium was the brainchild of the Playing God Project of CHSTM’s Science and Entertainment Laboratory research group. So what, you may ask, does any of this have to do with CASTAC? Well, as an anthropologist invested in exploring ethnographically the cultural qualities of humanity’s intersections with science, I was interested in efforts by the symposium’s presenters, not unlike CASTAC’s own, to understand significant cultural aspects of science in contemporary society. Perhaps more intriguingly, I saw it as a potential opportunity to further our goal of fostering discussions between anthropologists and other STS scholars. To that end, I contacted several SAS symposiasts to get a sense of what they presented at SAS. Colloquy topics ran from explorations of gender for fictional television scientists to the ways legitimate scientists are presented in the media to the power of comics in science communication. (read more...)

The Environment’s Environment: Are There Limits to the Anthropocene?

 Valerie Olson  June 2, 2015

Today the Anthropocene is everywhere. You may have encountered both scientific and non-scientific articles that begin with this geological greeting: “Welcome to the Anthropocene!” From a geological science perspective, planet Earth—and everything on it—is constantly moving along a timeline, from one distinctive era to another. In 2000, geologists Paul Crutzen and Eugene Stoermer proposed a new name for the current geological epoch: Anthropocene. They argue that this term (which combines the Greek “human” + “new”) should replace ‘Holocene’ (“whole” + “new”) because it best describes an emerging geological condition. Human impact, they explain, is now a wholescale driver of Earthly environmental change. For its many early adopters, the Anthropocene is a welcome scientific and political concept that expands understandings of human-Earth connections. Yet, while the Anthropocene concept is definitely planetary, I would suggest that it is not wholly Earth-bound. What does a closer examination of the term’s conceptual origins reveal about on-the-ground politics of spatial perception in the Anthropocene? Is there a paradox between the Anthropocene as an earthly timescale and geological entanglement with the planet’s own environment? (read more...)

SOS! Save Our Sea! California’s Salton Sea demands action, but what kind?

 Emily Brooks  May 26, 2015

This March, California’s State Water Resources Control Board called for a public workshop to re-evaluate the state of the Salton Sea, a complex and notoriously disastrous salt lake in the southeastern California desert. Nearly 200 people responded to the call, crowding in to a hearing room in downtown Sacramento to give testimony on mitigation and restoration projects, consider drought impacts, argue for the Sea’s environmental and economic value, and discuss the enormous water transfer agreements that threaten to damage it even more. Attempts to define the problem and its stakes have gone on for decades, but it is still far from clear whose fault is it that the Sea is still shrinking, still dying, or still dangerous, or, for that matter, if anyone can (or should) keep trying to fix it. As a semi-permanent disaster landscape, the Salton Sea is best defined not by the fall-out from a singular event nor by the slow accumulation of risk, but by a decades-long dynamic tension between mitigation of danger and restoration of health. “SOS! Save Our Sea!”, a popular slogan of local activists, is both a call to account for an irreversibly toxic present, and a reminder that the Sea was and still is a vibrant place worth saving. (read more...)

The Hastings Mill as Ecological Machine: Vancouver’s Origin Story

 Derek Woods  May 19, 2015

In Vancouver’s settler origin story, the city begins with a saw mill located in “primeval nature.” Living in the city as a student, I became interested in theories of the relation between economy and ecology, first studying forestry and working in the logging industry, then moving to graduate work in literature and science studies. The origin story of Vancouver stands out as a case study. The city combines an aesthetic regime (in architecture, tourism branding, and so on) focused on proximity to nature with an origin story that goes back to a single sawmill. For centuries, mills have been technologies at the threshold of ecologic and economic systems, transforming resources into commodities with exchange value. But much research into mills and other sites of industrial processing considers them only as production machines—not as mediators, in Bruno Latour’s sense, that affect how we conceive the nature/economy difference in the first place. In Capital I, Marx writes that “technology reveals the active relation of man to nature.” Is he right? Do what we call humanity and what we call nature exist prior to technologies such as mills, which we define based on their ability to transform nonhuman things into human things? Is communication about nature and society—currently in flux in debates over the Anthropocene and climate change—determined by such technological infrastructure, or does communication move machines into place? These are some of the questions that my case study grounds in Vancouver’s colonial origin story. (read more...)

Making Island Laboratories: What Invasive Species in Mexico Tell Us about Island Ecosystems

 Emily Wanderer  May 12, 2015

On Isla Pérez, a lionfish floated in a tank of seawater, swimming in lazy circles. Isla Pérez is a small, hot, dry island in the Gulf of Mexico, part of the appealingly named archipelago Arrecife Alacranes, or Scorpion Reef. The island has no permanent human population, although there are temporary residents—members of the Mexican Navy and ecologists from a variety of non-governmental organizations. I had arrived on the island on a Mexican Navy boat earlier that morning, traveling with a group of scientists from Grupo de Ecología y Conservación de Islas, a Mexican NGO devoted to island conservation with particular expertise in invasive species eradication and the restoration of native ecologies. The NGO had come to the archipelago in order to study the flora and fauna in advance of a planned eradication project. I am an anthropologist, and I had joined the expedition in order to conduct participant observation research. The lionfish in the tank—like the iconic palm tree many of us associate with tropical islands—was an invasive species. The presence of the fish was a reminder that while islands are imagined to be isolated and separate, they are densely connected to broader human and ecological worlds. (read more...)

Failure and the Future

 David Valentine  May 5, 2015

There’s nothing quite as satisfying for the modern as an historical prediction about the future, or about a large transformational project, that has—inevitably—failed. Whether as specific as predictions of particular technologies (where’s my flying car?), or as general as claims that market solutions will erase social inequalities (capitalism will eventually end poverty!), critical scholars have demonstrated that faith in a progressive future is fundamentally a political and ideological project of the modern era. But this satisfaction with modernity’s failures alerts us to the fact that we never-moderns still have faith in one kind of prediction, which is precisely the prediction of inevitability of failure of such transformational projects and their promised positive futures. Indeed, one could say that what we call the end of the modern or of history was inducted in this affective mode: an ironic stance toward now-faded modernist futures, their hubris and hopefulness simultaneously exposed as illusions of a progressive but failed modernity. This is nowhere more apparent than in critical approaches to the human conquest of space beyond Earth. The recent negative publicity about Mars One is a case in point. Announced in 2012, Mars One’s founder, Bas Lansdorp, proposed sending privately-funded, one-way human missions to the Red Planet with volunteer crews, enabling the establishment of a Mars colony by 2029. Lansdorp has argued that such a remarkable goal could be achieved using existing technologies and could be funded by media rights to what, he argued, would be the solar system’s most-watched reality television program. Mars One and its volunteer crew selection process garnered enormous interest in the press, on television, and online, but its previous media-darling status is now on rocky ground due to the revelations of a mission finalist. As such, it now appears as yet another fantasy of universalizing capitalist relations, dashed on the shores of technological impossibility and capital’s internal contradictions, leaving capitalism (and the human species) to face its consequences firmly on Earth and begin its atonement at the dawn of the Anthropocene, that is, the current, human-impacted geological epoch of Earth. (read more...)