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Banner from APC Irelands' World Microbiome Day, with colourful waving monster microbes

How Microbes Became Friendly: Visualizations of the Microbiome in Public Media

The biology, as astonishing as it is, does not tell us what it will mean. -Stephan Helmreich, “Homo Microbis” (2014, 4) Within microbiome research, the human body can be recast as a host of microbial ecologies, a “supraorganism” or “holobiont.” From this comes new ways of understanding and treating digestive diseases as well as illnesses associated with brain functioning, like depression and Alzheimer’s. This research reflects the increasing emphasis in the life sciences on “life as process” (Dupre and O’Malley 2007, Dupre 2020), and in the social sciences on the body as “biosocial” (Niehwöhner and Lock 2018). We take up these insights and examine one way that these ontologies of body and environment circulate in public ways by analyzing how the human body is depicted in relation to microbes and environments through public visualizations of the human microbiome. (read more...)

Platypod, Episode Seven: An Anthropology of Data, AI, and Much More

Download the transcript of this interview. For this episode of Platypod, I talked to Dr. Tanja Ahlin about her research, work, and academic trajectory. She’s currently a postdoctoral researcher at the University of Amsterdam in the Netherlands, and her work focuses on intersections of medical anthropology, social robots, and artificial intelligence. I told her of my perspective as a grad student, making plans and deciding what routes to take to be successful in my field. Dr. Ahlin was very generous in sharing her stories and experiences, which I’m sure are helpful to other grad students as well. Enjoy this episode, and contact us if you have questions, thoughts, or suggestions for other episodes.  (read more...)

Fogata en el interior del volcán en miniatura de Las Ruinas.

Memorializing Eruption

Perched on a makeshift stage, a trio dressed in wool ponchos sings pirekuas, the region’s most acclaimed and loved musical genre in a mix of Purépecha and Spanish. Despite their upbeat and soft-sounding melodies, the lyrics of the songs describe a time of fear and destruction when, eighty years ago, the Paricutin, the world’s youngest volcano, emerged from a cornfield and devastated the region. Stallkeepers are busy selling quesadillas, chips, sodas, and beers to the expectant crowd, gathering around a bonfire installed inside a miniature volcano. This contrast between apparently joyful festivities and solemn commemoration marks the evening’s atmosphere in Angahuan, Caltzontzin and San Juan Nuevo in Michoacan, Mexico. Several uniformed and heavily-armed municipality police stand nervously watching the horizon. These days, this is fraught territory, as organized crime groups dispute control over the area. This is also the first time that an event like this is staged on-site at the place known locally as las ruinas , a shorthand for the remains of the old San Juan Parangaricutiro church, the only surviving structure of an entire town buried under the thick and rugged lava. (read more...)

Image of an arapuca, woven in cane against a darker background. The thickness of the trap appears as a semi-circle on the top left hand corner of the image, and other components of the trap, some with purple, green, red and yellow shading, appear through the bottom corners.

Setting Traps: For an Insurgent and Joyful Science

While visiting the exhibition by the artist Xadalu Tupã Jekupé at the Museum of Indigenous Cultures in São Paulo, one of the works caught my attention. It was a monitor on the floor. On the screen was a modification of the game Free Fire, where it was possible to follow a virtual killing taking place from the point of view of an indigenous character wearing a headdress. For a while I couldn’t look away. I remembered a conversation I had with Anthony, a Guaraní-Mbyá professor that works with the youth of his territory. At the time I was also a teacher, working with marginalized youth. I remember Anthony’s distressed words—he was concerned about the time and attention young people were putting into games like Free Fire, creating a situation very similar to the one I lived when I worked with teenagers in the outskirts of São Paulo. (read more...)

A screenshot of Animal Crossing" New Horizon shows a player's character next to the Turkey Day chef Franklin, who is also a turkey.

“Is this the real life? Is this just fantasy?”: Food, Cooking, and Eating in Video Games

“Are you seriously telling me that this hot mash of mushrooms and fruit is going to completely heal his wounds?” (Gilbert 2019) It is summer 2020 and I, like many others, am sequestered indoors clutching my recently acquired Nintendo Switch playing Animal Crossing: New Horizons (ACNH). In wake of the COVID-19 pandemic, people around the world seemed to swarm either to their handy technological devices or towards the soothing arms of nature. Luckily for me, my technological device included encounters with some virtual greenery—the trees and flowers of my beloved tropical Animal Crossing island. (read more...)

Violence/Freedom: Gender and the Politics of Surveillance in Public Parks

Cities all over the world have witnessed a surge in the use of surveillance technologies, such as data-gathering phone apps, facial recognition software, and closed-circuit television (CCTV) cameras among others, to address crime and safety in public spaces. While it may appear that these technologies unequivocally create a safe environment regardless of social identities, unresolved incidents of violence against women and transgender bodies in public spaces suggest otherwise. Surveillance technologies intersect with predisposed social systems and ideas around morality and power in complex ways and may not always achieve the desired results. (read more...)

A view of a field with birds

Birding in Ruins: Multispecies Encounters and the Ecologies of Evidence

As we walked by some of the former shrimp ponds in an abandoned aquaculture farm, we approached a scene I easily overlooked until Julian asked me to document what was happening. We saw an egret struggling to swallow something, and I simply assumed this was what a hungry egret looked like. However, Julian’s surprise and the wingbeat that seemed to come out of the egret’s beak revealed a more uncommon scene. Through our binoculars, we soon realized that the egret was struggling to swallow another waterbird—to Julian’s fascination, a seemingly undocumented behavior for this species. Skeptical of what he suspected he was witnessing, Julian got as close as he could to the scene and took photos while I made short videos from afar, worried that I would disrupt the egret and its prey if I moved any closer. (read more...)

Close up photos from three different angles of a foot wearing a sample summer shoe. It is a model of a sandal. On the upper left corner "3 attachments" is written with bold font

The Perfect Fit

In my new book, The Perfect Fit: Creative Work in the Global Shoe Industry (University of Chicago Press, 2022) I study the work of repair and maintenance necessary to keep the global scale going. I do so by studying the work and lives of experts in charge of the design and development of shoes for the US market. Research for this project began in 2012. I conducted five years of research between New York City (USA), Dongguan (China), and Novo Hamburgo (Brazil), scrutinizing the friction between expert work and cheap labor in the production of a ubiquitous commodity: leather shoes for the US women’s market. Low-level commodity production is not usually thought of as a place where knowledge is produced. Rather, it is studied either through a global value-chain approach or an attention to shop-floor politics. In this unexpected match between case and theory, I aim to defamiliarize the work of coordinating tacit and embodied forms of knowing. (read more...)