Archives

Teaching with Warez: Korsakow and the Database Documentary

For the last three years, I have used Korsakow, an open-source application for making database films (K-films) and other types of non-linear, interactive narrative, in classes with both undergraduate digital art students and graduate students in visual anthropology. I expect visual anthropologists will have the most interest, but these reflections also have broader relevance to the anthropology of technology and computing. I heard about Korsakow in Jan or Feb 2010 from Steve Anderson at USC’s Institute for Multimedia Literacy. At that time I was teaching video production in a newly launched MA program in visual anthropology at USC and was also a lecturer in Studio Art at UC Irvine where I taught visual culture and the foundation series in digital art. In spring 2010, I got assigned a class I hadn’t taught before, “Interdisciplinary Digital,” an intermediate projects course focused on the art-making affordances, imaginaries, and practices of networked, digital (read more...)

American Fans of Japanese Popular Culture as Foreign-Identity Consumers

Internet technologies are only the most recent form to provide consumers access to global images and narratives. But virtual spaces (from simple message boards to fully rendered worlds like Second Life), afford individuals the opportunity not just to watch, learn, and communicate about other people and places, but also to go so far as to assume aspects of those identities. Of course, Internet technologies not only collapse geographic space, they can also blur the physical distinctions of voice and body typically used to categorize people as different from each other. This idea has been well discussed in terms of gender, age or disability, where degrees of anonymity, or the mutability of physical presence, of online communications allows users to craft versions of themselves that may appear to have little connection to their own “real” attributes. In avatar-driven virtual worlds like Second Life, ethnicity doesn’t predetermine appearance (of course, it is (read more...)

Performing Technical Affiliation

As I conclude a semester teaching anthropology of technology, one of my favorite themes has to do with how people perform affiliations to technologies, as well as related beliefs, practices, and values. In that spirit, I’d like to repost here, on The CASTAC Blog, a brief summary of some themes I’ve developed and worked with in order to understand the relationship between technology and identity. This post was originally written for Savage Minds, but I’d like to re-post it here to continue the conversation among folks directly researching issues of anthropology and technology. As always, comments welcome! *** There’s a new sociological variable in town, one which I call performing technical affiliation. Technically speaking, it is not a new way of thinking about identity. For many years, perhaps millennia, people have enacted aspects of identity by interacting with and through technologized objects, forms of knowledge and related practices and values. (read more...)

A 3-D Future: A Response to Chris Anderson’s “Makers”

3-d printers have garnered much public attention lately. You may have heard about how you can print out a plastic gun, or saw the Gigabot large-format 3-d printer on Kickstarter. Or perhaps you heard Obama mention them in his 2013 state of the union address as having “the potential to revolutionize the way we make almost everything.” But where did they come from? On a macro level, why do they matter? One answer comes from Makers: the New Industrial Revolution, where outgoing WIRED editor Chris Anderson sees 3-d printers as driving a wave of small-scale manufacturing. Recent advances have dropped the price of additive printing systems, which delicately squeeze out plastic that hardens to make nearly any shape, to the $500-1000 range. Anderson takes Negroponte’s famous statement of working with “bits not atoms” and turns it on its head: bits can now lead to change in atoms. He sees this as the natural application of his “long tail” thesis to (read more...)

Findings From The Asthma Files

It’s been nearly four years since The Asthma Files (TAF) really took off (as a collaborative ethnographic project housed on an object-oriented platform). In that time our work has included system design and development, data collection, and lots of project coordination. All of this continues today; we’ve learned that the work of designing and building a digital archive is ongoing. By “we” I mean our “Installation Crew”, a collective of social scientists who have met almost every week for years. We’ve also had scores of students, graduate and undergraduates at a number of institutions, use TAF in their courses, through independent studies, and as a space to think through dissertations. In a highly distributed, long-term, ethnographic project like TAF, we’ve derived a number of modest findings from particular sites and studies; the trick is to make sense of the patterned mosaic emerging over time, which is challenging since the very (read more...)

On Being a “Natural” Human

Bodybuilders, split between “all natural bodybuilders” and those who, in failing to specify, are marked out as “drug” bodybuilders, are explicit about both the health consequences of using growth hormones and steroids, and the fact that they are absolutely necessary to success. “All natural” I was told, “is dead.” “You can’t get anywhere without taking drugs.” Yet these same interlocutors also told me that “drug bodies are fake.” With drugs the muscles are not “you,” “it’s just this skinny little guy in a muscle suit.” Setting aside, for a moment, the fact that “you” is always a “guy,” though when this conversation took place we had actually been talking about women, I want to think/talk/write for a moment about the tension, the distance between fake and winning bodies. I come to this discussion out of the excellent recent post by Chris Furlow on competitive cycling. Chris suggests that discourse amongst (read more...)

Digital Ethnography

At the end of 2012 Larissa Hjorth, Jo Tacchi and I published a special issue of Media International Australia on ‘rethinking’ ethnography and ethnographic practice (see TOC below). Through six single and co-authored contributions, the special issue considers the variety of ways in which the changes in our media environment broadens what we think of as ‘media’, the contexts through which media is produced, used and circulated and the emergent practices that digital media affords. We begin this inquiry by considering how the changing media environment has introduced new scholars and debates around the value and practice of ethnography. We then turn more specifically to the ways in which media ethnography is being practiced in light of the new contexts of research, be they the broadcasters trying to keep pace with the changes of the changing media environment or researchers working through what to do with the fieldsite and myriad of (read more...)

Public (Research) Design: Un-friend Stories

An Introduction Ask an anthropologist a question and they’ll tell you a story. In this case, you didn’t ask, but I’m going to tell. During the fall of 2012, I was perusing my Facebook feed before bedtime, imagining myself to be reconnecting with old friends and keeping up with their lives through their links, posts and various photos. I was ruminating on the continually tweaked feed algorithms that always seemed to send friends into the foreground and others out of view. One old friend in particular and his regular kid photos were strangely absent, so I flicked open the side panel of Facebook’s iOS client and began searching for his name. Nothing turned up in the auto-complete, which was strange… At which point I quickly realized it meant that I had been un-friended. Indeed an actual search yielded his profile, which offered me the friendly blue-button “Add Friend.” At which (read more...)