Tag: STS

On Resolving Controversies: Enduring Regulatory Neglect in Southern Tamil Nadu

At India’s southern tip, eight reactor buildings line the shore of the coastal communities of Tirunelveli district, Tamil Nadu—one of the four districts my family and I call home. These reactor buildings are of the Kudankulam Nuclear Power Plant (KKNPP), envisioned to be India’s largest nuclear park. People living in the nearby Idinthakkarai and Kootapalli villages mock the association of a risky technoscientific complex to anything close to a ‘park,’ or poonga—a forest or garden of flowers, in Tamil. The sea that rolls against the compound of KKNPP is where women protestors claimed that they derived their energy to lead the protest against the plant in March 2011. Following suit, fishermen rowed and drove their boats into the sea to protest the commissioning of the plant. (read more...)

Love at First Sprout: Wild Peanuts and Mars’ Plan for Climate Security

An animated peanut with a bowler hat and a white beard sits on one side of a campfire, opposite three smaller peanuts grinning back at him adoringly. Amid the chirping crickets and the crackling of the fire, the older peanut calls out: “Gather round my little legumes, it’s story time!” A small redheaded pod responds, “Grandpa, tell us the M and M’s story again.” Grandpa responds in a chiding tone: “We’ll get there! But, let’s start at the beginning…” (read more...)

Hip Hop Sampling and the Akai MPC as a Platform for Spatiotemporal Discourse

The Akai Music Production Center (MPC, formerly known as the MIDI Production Center) is a series of sequencers/samplers/interfaces first designed by Roger Linn and released in 1988 to critical acclaim. The MPC series soon became one of the most influential technologies in modern music production. The flagship model, the MPC60, included many features that made it an immediate hit with artists: a 4 by 4 layout of comfortable pressure sensitive pads, 16 voice polyphony, 13.1 seconds of sampling, frequency response of 18kHz, and MIDI (an acronym for musical instrument digital interface, a protocol that allows electronic instruments to communicate with each other). These feature allowed for easy connectivity to other MIDI devices found in studios at the time like synthesizers and other samplers, high quality sampling and playback, and an instrument that feels good to play. (read more...)

Renouncing and Returning to Shareholder Value

As pandemic restrictions began to ease in late 2021, the annual Finnish startup conference Slush made its return as an in-person event. Held for the first time in 2008, Slush grew through the 2010s to become a major international startup event with tens of thousands of attendees—a symbol of the “success story” of Finnish startup culture and a focus of national pride and economic hope. (read more...)

The Ones Who Walk Away from the Internet

In the Andean cosmovision, constellations are not formed by connecting the dots of stars, but rather from the spaces of darkness in the night sky. The most important one is the Yakana, shaped like a llama —the most essential animal for life in the Andes (Zuidema & Urton, 1976). What might be seen as void, then, can reveal as much as, or even more than, the brightest star. (read more...)

Dreaming of Security through Lanyards and Bollards

A perimeter is always porous, to certain people. Managing how it is perforated is a kind of professional work. In my fieldwork at a casino, a guard all in black sheepishly hands out blank visitor IDs that we wear only in a closed room. He collects them on our exit to the floor and accompanies us up to the lobby bar because of regulations. In the discussion, a man expresses his exasperation at an embassy’s request for an ambulance during a US National Special Security Event. I don’t understand why he makes an ambulance sound so ominous—he says he didn’t sleep for days—until someone later explains to me that he was worried the ambulance would be filled with explosives and allowed to slip through security lines. In The Filing Cabinet, Craig Robertson describes how information architecture via office furniture soothed clerks of “the particular anxiety produced by the knowledge that paper records create an alternative paper-based reality to which officials defer” (pp. 253). With two tools, the lanyard and the bollard, I consider how security work engenders and manages similar anxieties about the inherent instability of persons and property. (read more...)

Hawa-laat: Polluted Air in Delhi, India

In 2015, I was back in India’s capital city, Delhi after two years of fieldwork in villages in rural parts of the country. On my return, the city had changed. There was something different in the atmosphere, which was leading to far-reaching, unexpected effects. For instance, during my morning commutes as I turned on the radio to one of Delhi’s most popular radio stations the radio jockey blared every hour or so, ‘Hawa-laat’! The Hindi word Hawalaat translates as a prison. If the word is broken into two parts, Hawa and Laat, it signifies a kick by the wind, as Hawa means wind or air and Laat means a kick. The radio jockey called out the word in a long and stretched manner to get the listener’s attention, slowly elongating the word ‘Hawaaaaaaaaa’ and then abruptly ending with a forceful ‘Laat!!!’, bringing out the potency of the wind (air) kick we were all getting. Following this, air pollution levels were detailed, and listeners encouraged to indulge in carpools and get their vehicular pollution levels checked. (read more...)

Submarine Cyborgs: At Sea with Haraway and Jue

It is a Tuesday in May in upstate New York, and the world is greening all around me. A little rain falls from a clouded-over sky scattering bright neon gray light wherever it catches. Don’t be fooled by the stacks of books and papers beside my desk, or the false chiming of distant bells at the window. I am hunting a creature of the sea – a hybrid species, intimate with the queer spatialities of submarine worlds, the manfish. (read more...)