Tag: multimodal ethnography

A Failure in Capture: An Experiment in Multimodal Interactive Ethnography where ‘Nothing Happens’

The video below this text is interactive. To view, click play and follow the instructions you see on the screen. As you watch, look for areas that you can click with a mouse (or tap with your finger, if on a mobile device) or see what appears when you mouse over different areas of the image at different times. What do you see? This multimodal content, due to technological limitations, may not be accessible to all. If the multimodal experience is not accessible to you, please visit the text based version for visual and audio descriptions and full-text transcription or listen to the audio narration: Audio Narration by Kara White On mobile devices, we suggest viewing the page in landscape mode and selecting “Distraction Free Reading” in the top-right corner. This is an interactive video. This video is designed to get the viewer or reader to “search” the image for (read more...)

A Concert in the Rainforest: Sound in Multispecies Ethnography

The four minute clip above was one of many that I recorded during preliminary fieldwork this past summer in the Eastern rainforest corridor of Madagascar. This specific recording occurred during a weekend trip to Analamazaotra with two of my interlocutors- biologists who study in Ranomafana National Park, my primary fieldsite. That morning, we had woken with the crepuscular mist to hike the muddy trails that transected the area. Walking with Jean, from the local guide association, we spent the morning as many tourists would, spotting camouflaged Nightjars nesting on the ground and smiling at brown lemurs that wrestled on Traveler’s Palms. Throughout the walk, we heard the haunting calls of Indris, Madagascar’s largest lemurs and one of its most recognized, due to its song and striking black and white patterning. (read more...)

People Are Not Fixed Media

Sensory ethnography continually emphasizes that the sensorium is just as much a (product of) sociocultural practice as it is a biophysiological property of the human species (Pink 2015). Recognition of this point has prompted several shifts in ethnographic work. On the one hand, it has pushed ethnographers to include in their writing a greater discussion of how subjects engage with the world through their senses as well as how the putatively biological phenomenon of sensory perception is so highly variable across and within sociocultural milieux. On the other, it has inspired ethnographers to pursue media practices beyond text, particularly through ethnographic film or sound recording (Feld 1991). Regardless of form, this work has greatly increased the possibility for the reader, listener, or viewer to experience with their senses the social environment that subjects inhabit and where the ethnographer conducted fieldwork. (read more...)