Sound Studies | Platypus

Audio Ethnographies of Water from Latin America: Confluences of the Domestic

 Sophie D'Anieri  February 22, 2024

Much of the water that enters homes in metro Guadalajara, Jalisco is toxic. Water from the tap is used to wash dishes and water plants, but for decades it’s been dangerous to drink. In this sonic ethnography, we hear contaminated water hitting plates used for a meal and evaporating from vegetables as a pan heats on a stove. A woman explains which brands of bottled water are safer, more trustworthy; some, she says, are appropriate for drinking, while others should only be used to wash vegetables. We hear bodies of water referred to as both rivers and sewers. (read more...)

Audio Ethnographies of Water from Latin America: Aquatic Attractions

 Alejandra Osejo-Varona  February 22, 2024

Forty years ago, four hippos arrived in Colombia. Drug trafficker Pablo Escobar illegally imported them as part of his project to build an open-door zoo at Hacienda Naples, his enormous farm located in the Magdalena River Basin. Among many other luxuries and eccentricities, the farm housed 1,200 animals. It also included artificial lakes where the aquatic animals lived. After Escobar’s death in 1993, when the Hacienda Napoles was abandoned, most of the animals died due to lack of care, and others were transferred to other zoos. Only the hippos remained, sheltering in the lakes. In Colombia, over 160 hippos inhabit various locations. Some reside in areas formerly part of Hacienda Napoles, while others are dispersed along the Magdalena River. (read more...)

Audio Ethnographies of Water from Latin America: Water, Energy, and Youth in the Orinoco River, Colombia

 Fernando López Vega, Sara Monzón  February 22, 2024

July is part of the heavy rainfall season of South America’s northernmost savannas, known since colonial times as the Llanos (Plains/Grasslands) and, more recently, from a biogeographical perspective, as the Colombian-Venezuelan Orinoquia. During the “winter”/rainy months, the abundance of water everywhere makes audible the sounds of boots and motorcycles crossing flooded pastures and streets, thunders, downpours on the predominant zinc roof tiles, migratory birds, and outboard motors of the many boats traveling along tributaries that at another time of the year will almost entirely disappear. Audio recordings taken during the long six months of “summer”/drought, between November and April when no drop falls on the plains, would radically differ. (read more...)

Audio Ethnographies of Water from Latin America: Introduction

 Pablo Aguilera Del Castillo  February 22, 2024

Inspired by Feld’s (2015) work on sound, in this collection of essays, we bring five ethnographers from Latin America to think about their research through the sounds of their respective field sites. The exercise we propose here borrows Feld’s concept of ‘acoustemology’ to help frame our approach towards the aural dimensions of a place: Acoustemology conjoins ‘acoustics’ and ‘epistemology’ to theorize sound as a way of knowing. In doing so, it inquires into what is knowable and how it becomes known through sounding and listening. Acoustemology begins with acoustics to ask how the dynamism of sound’s physical energy indexes its social immediacy. It asks how the physicality of sound is so instantly and forcefully present to experience and experiencers, to interpreters and interpretations. (p. 12) (read more...)

Hearing the Unknown: Case Studies in Cuba and Taiwan

 Jennifer Hsieh  June 25, 2019

The saga of mysterious sounds afflicting US diplomats in Cuba—and more recently China–has appeared in the US news cycle intermittently over the last couple of years. Since 2017, news organizations have reported that officials working at the US Embassy in Havana were experiencing hearing loss, dizziness, and possibly brain injury as a result of exposure to high-pitched, grating sounds. The State Department described the phenomenon as a sonic attack, believing that officials were purposefully targeted by an “acoustic element.” Cuban officials have denied the allegations by citing the failure of US officials to identify the source of the sound. Other details surrounding the incident have added to the mystery, including the fact that not all individuals who exhibited symptoms reportedly heard the sound, and those who did may not have been hearing the same sound. (read more...)

Weekly Round-up | January 20th, 2017

 Ian Lowrie  January 20, 2017

Starting today, we’ll be posting a weekly round-up of cool stuff from around the web that the editorial collective thinks might be interesting to readers of the blog: posts from other blogs, news stories, art objects, internet ephemera. If you stumble across anything that you think might fit here, just shoot a link to editor@castac.org. Help break us out of our habitual media itineraries and parochial corners of the internet! (read more...)

Decolonizing Design Anthropology with Tinn

 Bryce Peake  April 21, 2015

In fall 2014, I began building Tinn, a health data tracking application for people living with tinnitus. I approached building Tinn as an opportunity to explore what a socially conscious, feminist, and anti-colonial process for developing mobile applications might look like. The idea of pairing design, building, and anthropology is hardly all that innovative; “design anthropology,” a subfield of cultural anthropology focused on empirical studies of use cultures, has been around since the 1980’s (at least). What sets Tinn apart, however, is my commitment to working with communities of color in Portland, OR, that have been alienated by and from the technology and application development industry because of intersecting and juxtaposed systems of gender, racial, and access inequality. Perhaps one of the central epistemic problematics for the project, then, can be posed as a question: Can we decolonize design anthropology, and to what success ordegree? What might this entail? Screenshot of the title deck for Tinn (by author). Decolonization is slippery. My “academic anthropology” is a historical ethnography of the ways media scientists after World War II shaped (and continue to shape) the gendered contours of global media flows in the British Empire, with a particular focus on sound, listening, and citizen-subject formation in Gibraltar. My work on Tinn gave me the opportunity to transform my critique of the violence done by media scientists into the starting point for a more ethical approach to user experience research with marginalized Native American, Latin@, migrant, and African American Oregonians living with tinnitus in Portland. Yet what I thought of as decolonizing and what my collaborators thought of as decolonizing was at odds in some instances. For one, while decolonizing anthropology attempts to re-balance the scales of recognition and redistribution in the research process, it is much more difficult to reconcile the colonial histories of designer and designed for. Yet, for my collaborators, this division didn’t actually matter. As Nephi, one of my politically astute collaborators, put it, “the ethics are too heady when we need material help. Someone has to do that work. It’s you today.” While Tinn began with my commitment to making the project open source (as resistance to the privatization and commoditization of collaboration — it’s not that simple), Nephi protested. “My labor is there, too. You’d give it away for free? There’s a long history of white men giving away the work of my people for free.” I said it wasn’t simple. While there were times where my collaborators and I didn’t agree on what constituted decolonization, we did agree on one thing: data poses a particularly tricky sociohistorical landscape for thinking about recognition, redistribution, and reconciliation. The rest of this post is dedicated to the complications of tracking data about tinnitus, and tracking data about vulnerable and/or marginalized users with tinnitus. (read more...)