As you read this post, members of a community of like-minded scholars are unwinding after a weekend symposium at the UK’s University of Manchester. The symposium Stories About Science—Exploring Science Communication and Entertainment Media explored the intersections of science with entertainment from various disciplinary perspectives and as experienced by a diverse range of publics. Organized through the University of Manchester’s Centre for the History of Science, Technology and Medicine (CHSTM), the SAS symposium was the brainchild of the Playing God Project of CHSTM ‘s Science and Entertainment Laboratory research group.
So what, you may ask, does any of this have to do with CASTAC? Well, as an anthropologist invested in exploring ethnographically the cultural qualities of humanity’s intersections with science, I was interested in efforts by the symposium’s presenters, not unlike CASTAC’s own, to understand significant cultural aspects of science in contemporary society. Perhaps more intriguingly, I saw it as a potential opportunity to further our goal of fostering discussions between anthropologists and other STS scholars. To that end, I contacted several SAS symposiasts to get a sense of what they presented at SAS. Colloquy topics ran from explorations of gender for fictional television scientists to the ways legitimate scientists are presented in the media to the power of comics in science communication. « Read the rest of this entry »
Today the Anthropocene is everywhere. You may have encountered both scientific and non-scientific articles that begin with this geological greeting: “Welcome to the Anthropocene!” From a geological science perspective, planet Earth—and everything on it—is constantly moving along a timeline, from one distinctive era to another. In 2000, geologists Paul Crutzen and Eugene Stoermer proposed a new name for the current geological epoch: Anthropocene. They argue that this term (which combines the Greek “human” + “new”) should replace ‘Holocene’ (“whole” + “new”) because it best describes an emerging geological condition. Human impact, they explain, is now a wholescale driver of Earthly environmental change.
For its many early adopters, the Anthropocene is a welcome scientific and political concept that expands understandings of human-Earth connections. Yet, while the Anthropocene concept is definitely planetary, I would suggest that it is not wholly Earth-bound. What does a closer examination of the term’s conceptual origins reveal about on-the-ground politics of spatial perception in the Anthropocene? Is there a paradox between the Anthropocene as an earthly timescale and geological entanglement with the planet’s own environment?
The Diana Forsythe Prize was created in 1998 to celebrate the best book or series of published articles in the spirit of Diana Forsythe’s feminist anthropological research on work, science, or technology, including biomedicine. The prize is awarded annually at the AAA meeting by a committee consisting of one representative from the Society for the Anthropology of Work (SAW) and two from the Committee on the Anthropology of Science, Technology and Computing (CASTAC). It is supported by the General Anthropology Division (GAD) and Bern Shen.
Self-nominations are welcomed. To be eligible, books (or article series) must have been published in the last five years (copyright of 2010 or later). The current submission deadline is July 31, 2015 (early nominations appreciated) and nominations should be sent via email to Selection Committee Chair João Biehl at jbiehl-at-princeton.edu. Publishers, please send a copy of nominated titles to each of the selection committee members listed below. « Read the rest of this entry »
In Vancouver’s settler origin story, the city begins with a saw mill located in “primeval nature.” Living in the city as a student, I became interested in theories of the relation between economy and ecology, first studying forestry and working in the logging industry, then moving to graduate work in literature and science studies. The origin story of Vancouver stands out as a case study. The city combines an aesthetic regime (in architecture, tourism branding, and so on) focused on proximity to nature with an origin story that goes back to a single sawmill.
For centuries, mills have been technologies at the threshold of ecologic and economic systems, transforming resources into commodities with exchange value. But much research into mills and other sites of industrial processing considers them only as production machines—not as mediators, in Bruno Latour’s sense, that affect how we conceive the nature/economy difference in the first place. In Capital I, Marx writes that “technology reveals the active relation of man to nature.” Is he right? Do what we call humanity and what we call nature exist prior to technologies such as mills, which we define based on their ability to transform nonhuman things into human things? Is communication about nature and society—currently in flux in debates over the Anthropocene and climate change—determined by such technological infrastructure, or does communication move machines into place? These are some of the questions that my case study grounds in Vancouver’s colonial origin story. « Read the rest of this entry »
On Isla Pérez, a lionfish floated in a tank of seawater, swimming in lazy circles. Isla Pérez is a small, hot, dry island in the Gulf of Mexico, part of the appealingly named archipelago Arrecife Alacranes, or Scorpion Reef. The island has no permanent human population, although there are temporary residents—members of the Mexican Navy and ecologists from a variety of non-governmental organizations.
I had arrived on the island on a Mexican Navy boat earlier that morning, traveling with a group of scientists from Grupo de Ecología y Conservación de Islas, a Mexican NGO devoted to island conservation with particular expertise in invasive species eradication and the restoration of native ecologies. The NGO had come to the archipelago in order to study the flora and fauna in advance of a planned eradication project. I am an anthropologist, and I had joined the expedition in order to conduct participant observation research. The lionfish in the tank—like the iconic palm tree many of us associate with tropical islands—was an invasive species. The presence of the fish was a reminder that while islands are imagined to be isolated and separate, they are densely connected to broader human and ecological worlds. « Read the rest of this entry »
There’s nothing quite as satisfying for the modern as an historical prediction about the future, or about a large transformational project, that has—inevitably—failed. Whether as specific as predictions of particular technologies (where’s my flying car?), or as general as claims that market solutions will erase social inequalities (capitalism will eventually end poverty!), critical scholars have demonstrated that faith in a progressive future is fundamentally a political and ideological project of the modern era. But this satisfaction with modernity’s failures alerts us to the fact that we never-moderns still have faith in one kind of prediction, which is precisely the prediction of inevitability of failure of such transformational projects and their promised positive futures. Indeed, one could say that what we call the end of the modern or of history was inducted in this affective mode: an ironic stance toward now-faded modernist futures, their hubris and hopefulness simultaneously exposed as illusions of a progressive but failed modernity.
This is nowhere more apparent than in critical approaches to the human conquest of space beyond Earth. The recent negative publicity about Mars One is a case in point. Announced in 2012, Mars One’s founder, Bas Lansdorp, proposed sending privately-funded, one-way human missions to the Red Planet with volunteer crews, enabling the establishment of a Mars colony by 2029. Lansdorp has argued that such a remarkable goal could be achieved using existing technologies and could be funded by media rights to what, he argued, would be the solar system’s most-watched reality television program. Mars One and its volunteer crew selection process garnered enormous interest in the press, on television, and online, but its previous media-darling status is now on rocky ground due to the revelations of a mission finalist. As such, it now appears as yet another fantasy of universalizing capitalist relations, dashed on the shores of technological impossibility and capital’s internal contradictions, leaving capitalism (and the human species) to face its consequences firmly on Earth and begin its atonement at the dawn of the Anthropocene, that is, the current, human-impacted geological epoch of Earth. « Read the rest of this entry »
Despite Bruno Latour’s provocation that “nothing special” happens in laboratories, scholars of science and technology continue to be fascinated by them. And for good reason: laboratories, after all, are crucibles for inventions and innovations. In an age like ours where innovation-speak reigns, could there be any more urgent task than to understand the sources of inspiration and discovery?
Yet our affinity for innovation has a corresponding dark side that manifests in indifference toward existing technological systems. As a scholar and as a citizen, it is this indifference that concerns me most: rather than fixating so much on innovation and discovery, I wish we would spend more time thinking through the dynamics of standardization, infrastructure, and maintenance. The neglect of infrastructure, for example, is especially evident in public policy, as the comedian John Oliver showed in a recent rant. Oliver boiled the issue down to its tragicomic essence: we need public funds to maintain old technologies such as bridges and dams, but our elected officials prefer to break out their oversized scissors and celebrate something new.