YouTube | Platypus

Noclipping into the Contemporary: Anthropology in the Backrooms

 Aaron Neiman, Erin Coleman  June 17, 2026

Released theatrically late last month, Backrooms, the latest horror film from A24, is a bona fide blockbuster. The film grossed $81 million domestically and $118 million internationally in its first three days, making it by far the studio’s most successful opening weekend, more than tripling its previous record set by 2024’s Civil War. Within its first week, users on the film-based social media site Letterboxd had collectively logged over half a million viewings. (read more...)

Happy Pride Month!

 Baird Campbell  June 18, 2019

In support and solidarity with LGBTQIA+/Queer people around the world, we’re celebrating Pride Month with a collection of some of our most popular queer content from the blog. We take this moment to recognize the valuable contributions LGBTQIA+/Queer people make to our fields, our society, and our lives. Check out six of our favorites below! (read more...)

Three Videos of Dead Media Theorists

 Adam Webb-Orenstein  May 31, 2017

One of the benefits of access to YouTube’s vast sea of content is that by finding and watching videos that relate to our scholarly interests, however indirectly, we are able to tell ourselves that there is something productive about time spent drifting around the internet. There are, for example, plenty of videos of old lectures by our favorite thinkers and authors floating around out there. However, as the three theorists featured in this post would well understand, the conventions of this sort of presentation do not make the most of the medium. It can be a lot more revealing to see concepts and arguments we usually encounter on the written page play out in formats that are more unusual and more dialogic. In this post, I’ve collected a few of my favorite examples of the sorts of casually meandering discourse I find particularly illuminating. (read more...)

Learning to be Trans on YouTube

 Baird Campbell  February 14, 2017

Esta publicación está disponible en español aquí.

Editor’s note: This week, we have a first for the blog: a bilingual post! “When I first started to come out as trans, I went straight to YouTube, and watched a bunch of videos trans kids, and then I started to find videos from people my own age.” Sitting in the living room of his parents’ house in suburban Santiago, Chile, days before his double mastectomy in June 2016, Noah told me a story I would hear repeatedly, with surprisingly little variation, over the course of my fieldwork. He continued, “Even then, the reality I saw was very different. The majority were from the US and England, but at least they helped me understand, ‘OK, so you can start to transition at the age of 19 or 20, like me.’” After an adolescence of not knowing quite where he fit, Noah had found a global community of people like himself with the click of his mouse. (read more...)

Data Friction

 Dawn Nafus  February 7, 2017

A few years ago, Paul Edwards and colleagues (2011) introduced a notion of “science friction”—the idea that scientific datasets do not magically fuse together into a readily accessible “open” stockpile, and instead must be communicated and reshaped in order for scientists to collaborate across them. While it is all too easy to imagine endlessly wired interoperable devices, and bodies thoroughly mediated by fluid streams of measurement, the reality is not that simple. The Data Friction panel at the American Anthropological Association (AAA) meetings this past year attempted to take the idea of science friction further, and ask what else can we see when we turn our attention to frictionful encounters with data. This panel considered what alternative forms of knowing become possible by paying attention occasions where data fails to be mobile, or to the ways data and bodies resist being bound by models, devices, and infrastructures. What we see when we pay attention to frictions are significant questions of ownership, the slipperiness social relations, and examples of how people inhabit more fundamental social, material and conceptual incommensurabilities that data often surfaces. These social formations open up broader questions of the work that underlying notions of what constitutes “data” are doing. (read more...)

What Vic Berger’s Videos Say About American Electoral Politics

 Adam Webb-Orenstein  March 15, 2016

Anyone watching Saturday Night Live’s parodies of US electoral campaigns in recent years has likely noticed its particular humor no longer works so well. Its treatment of recent events in the presidential primary competitions, especially on the Republican side, is a lot less funny than the news coverage of the campaigns themselves. The behavior displayed by the candidates as they travel around the country courting voters and debating each other seems to have more entertainment value than the sketches mocking it. Vine and Youtube videos made over the past few months by the comedian and video editor Vic Berger IV, on the other hand, distill some of the absurdity of this election season by highlighting what is too marginal and granular to capture with scripted caricature. His videos of the candidates and their campaigns home in on moments of particularly awkward behavior. They illustrate something of Henri Bergson’s argument about comedy, that it results from finding rigidity where one would expect there to be organic elasticity, “something mechanical encrusted on the living.” https://vine.co/v/eLTH5zuqw1w The effectiveness of political sketch comedy, it appears, decreases as the gap closes between the rhetorical skills that allow people to be successful in politics, on one hand, versus televised comedy on the other. Donald Trump is such a dramatic parody of himself that any parody by others is more or less redundant. Just as political campaigning has transformed by adapting to changes in the broader media environment, the locus of the most incisively humorous treatments of the current national election cycle has moved to a different technological register thanks to tools for editing and sharing digital video. (read more...)

Greetings from Paris: A View from Ethnografilm 2014

 Patricia G. Lange  April 21, 2014

Recently I had the pleasure of attending an exciting new film festival called Ethnografilm, a showcase of ethnographic and academic films that visually depict social worlds. Helmed by the festival’s Executive Director Wesley Shrum (Professor of Sociology, Louisiana State University), the event took place April 17-20 at Ciné XIII Théâtre, a unique venue in the Montmartre district of Paris. The variety of films was indeed impressive, and ranged from old-school anthropological investigations of “disappearing worlds” to animations that stimulated the eye and illustrated interactive tensions in visual forms. Despite fears about the disappearing anthropologist filmmaker, it was interesting to see that Jean Rouch’s classic film Tourou et Bitti (1971), which was screened on Saturday night, played to a packed house! Given that co-sponsors included the International Social Science Council and The Society for Social Studies of Science, it is perhaps not surprising that the festival included many technology-related films. Themes included both opportunities and tensions in areas such as online interaction, ethics, “primitive” technologies, and high-tech bodily enhancements. Below I profile a few of the films I was able to screen. (read more...)

Killing Comments: Back to the Future with Web 1.0

 Patricia G. Lange  October 2, 2013

Two new strategies for dealing with online comments have set the interwebs a-buzzing. The first is the decision by Popular Science to shut off comments on articles on their website, arguing that they are bad for science. The second is Google’s announcement that it will significantly modify YouTube’s comment system by featuring more “relevant” comments up front, and providing new tools to moderate comments. While some people expect these decisions to usher in a new public sphere, others see them as harbingers of a return to the age of “Web 1.0” (if you’ll forgive that term), which still holds the connotation of highly-restricted forms of online participation. According to Popular Science, although many insightful comments are posted, studies show that people experience more negativity toward certain announcements about science after seeing rude—even if substantively unrelated—attacks. In fact, “even a fractious minority wields enough power to skew a reader’s perception of (read more...)