Category: Research

Domesticating Affordances: From Surveillance to Navigation of Interfaces, How Affordances Are Reappropriated across Contexts by Rural Indian Women

Joginder Kaur (54) had no formal schooling. For her, phone calls  always  meant pressing the green button to receive a call. Dialling numbers or navigating menus were not part of that routine—until they became unavoidable. In came emojis, used to mark different people in her contact list: Birds, hearts, and just a smiley face. Each representing a new contact. (read more...)

Introducing Citizen Technology: Ethnographic Insights from Makerspaces

When I first arrived at the makerspace known as Fab Casa del Mig, in the Sants neighborhood of Barcelona, I crossed a large urban park called La España Industrial. I later learned that the park occupies the site of a former textile factory with the same name. Walking through the park, I passed people walking their dogs, groups playing basketball or pétanque, and others simply spending time with their family there. At the end of the park stands Fab Casa del Mig, the last remaining building of this former industrial complex. Inside, there is a large makerspace. (read more...)

Becoming Experts: Activists Working Against Science Based on Misinformation

In County Donegal, Ireland, an estimated 30,000 buildings are crumbling due to governmental and commercial mishandling of building materials such as concrete. A lack of urgency in governmental response has left homeowners living with severe mold, electrical risks, structural cracks and the impending threat of their homes collapsing, see image below. Homeowners have described living in these homes as being in a constant state of fear—fear their homes will crumble on top of them but also fear that the government they once trusted “to do right by them” will never fix their homes. (read more...)

Animals in War: Multispecies Agency and the Memory of the Colombian Armed Conflict

In one testimony from Colombia’s armed conflict, a parrot named Lola repeated the phrases she heard around her: “Paraco asesino” (“paramilitary murderer”), “Viva la guerrilla” (“long live the guerrilla”), and “The vultures are coming” Her voice condensed the sounds, fears, and political tensions of war into a multispecies archive of memory. Far from being passive witnesses, animals moved within the infrastructures of conflict as companions, alarms, transportation, and sometimes even weapons. Yet these violent incorporations are only the most extreme expression of a broader multispecies world of conflict. (read more...)

What Would Happen if Ethnographers Learned to Process Signals?

During my doctoral research, focused on neuroscience laboratories and their forms of engagement with other spaces in the city of Bogotá, Colombia, I have been observing how artists and researchers use different processes to modulate, transform, and process biological signals in order to create artistic works. This experience led me to try to learn how to use the same software they employ. I created a small piece that I would like to show, along with a brief presentation of some of the reflections that emerged from it. (read more...)

Criminality, Risk, and Labor: Altruistic Surrogacy in Contemporary India

Surrogacy is a form of assisted reproduction in which the gestational labor of birthing a child is carried out by someone other than the intending parent/s. Surrogacy in India has gained a great deal of popularity over the last three decades, emerging as a major transnational commercial hub. Generating close to $2.3 billion in annual revenue (Rudrappa 2015), the industry was largely unregulated, until recently. In December 2021, the Indian state passed the Surrogacy (Regulation) Act, criminalizing commercial surrogacy and permitting only altruistic surrogacy for select clients. The Act bans the “commercialization of surrogacy services,” outlawing any possible compensation for surrogate workers, whether it is “payment, reward, benefit, fees, remuneration, or monetary incentive in cash or kind” (Government of India 2021, 2). In effect, surrogacy is legally permitted only if it is “altruistic,” with heavy punitive measures in place for commercial surrogacy. By “altruistic” surrogacy, the state means an unpaid surrogacy arrangement that is borne out of the good will and selflessness of the surrogate worker, upon whose body the biomedically intensive, complicated, and risky process of surrogacy is carried out. It is important to note that surrogacy arrangements in India are largely shaped by stark power imbalances. Surrogate workers tend to come from marginalized socioeconomic backgrounds, and are often low-income, oppressed-caste women from rural areas. Intending parent/s, by contrast, are typically more privileged – urban, middle-to-upper-class, and from dominant-caste groups. These structural disparities have significant implications for surrogate workers in the current moment, with the regulatory turn to “altruism.” (read more...)

On Resolving Controversies: Enduring Regulatory Neglect in Southern Tamil Nadu

At India’s southern tip, eight reactor buildings line the shore of the coastal communities of Tirunelveli district, Tamil Nadu—one of the four districts my family and I call home. These reactor buildings are of the Kudankulam Nuclear Power Plant (KKNPP), envisioned to be India’s largest nuclear park. People living in the nearby Idinthakkarai and Kootapalli villages mock the association of a risky technoscientific complex to anything close to a ‘park,’ or poonga—a forest or garden of flowers, in Tamil. The sea that rolls against the compound of KKNPP is where women protestors claimed that they derived their energy to lead the protest against the plant in March 2011. Following suit, fishermen rowed and drove their boats into the sea to protest the commissioning of the plant. (read more...)

Hip Hop Sampling and the Akai MPC as a Platform for Spatiotemporal Discourse

The Akai Music Production Center (MPC, formerly known as the MIDI Production Center) is a series of sequencers/samplers/interfaces first designed by Roger Linn and released in 1988 to critical acclaim. The MPC series soon became one of the most influential technologies in modern music production. The flagship model, the MPC60, included many features that made it an immediate hit with artists: a 4 by 4 layout of comfortable pressure sensitive pads, 16 voice polyphony, 13.1 seconds of sampling, frequency response of 18kHz, and MIDI (an acronym for musical instrument digital interface, a protocol that allows electronic instruments to communicate with each other). These feature allowed for easy connectivity to other MIDI devices found in studios at the time like synthesizers and other samplers, high quality sampling and playback, and an instrument that feels good to play. (read more...)