Archives
A plate of white rice, grilled pork, and shredded scrambled eggs rests on a table. There are pickled vegetables and a small dish with dipping sauce on the plate too.

Dining with the Diaspora: Khmerican Digital Gastrodiplomacy

During my first semester of undergrad, I began my truly independent cooking journey—a path many have taken before me, but few survive. After weeks of failing to replicate one of my mother’s simplest dishes, scrambled eggs with jasmine rice, I was devastated. Arriving home for winter break, I told her about my struggles—how I looked up many recipes online and tried making them all, adding milk, sprinkling in cheese, whisking the eggs with a particular technique.  Nothing seemed to replicate the correct taste or texture. The familiar experience of the eggs was absent. She laughed at me and explained she made them “Khmer style,” to which I promptly replied, “What’s ‘Khmer Style?'” Half smirking and rolling her eyes, Ma explained that the scrambled eggs have fish sauce, green onions, and black pepper in them. “Make sure you use the good fish sauce okay? Either Three Crabs Brand or the Squid Brand. How did you not know this?” (read more...)

A person wearing a black top and white leggings with a black patch sits cross-legged on the floor, wearing a white Apple Watch on their left hand. Their right hand reaches toward their left wrist to touch the watch. The face of the watch is black and shows the time, as well as all three rings (the stand, move and exercise rings) at varying levels of completion.

Invisible Labor of Health and the Spell of Productivity

When I talked with Jia, who works for an e-commerce company in Shanghai, China, she was trying to finish a “Perfect Month Challenge” on her Apple Watch. That meant closing the rings on her watch every day for a month—achieving goals for standing up once an hour across all 12 hours, burning over 400kcal calories, and exercising 20 minutes. She was fully invested in this project, until Shanghai hit a lockdown due to the COVID-19 outbreak in early 2022, and she suddenly lost the streak. “The ‘firework’ after closing the rings is so nice, and the ‘Perfect Month’ sounds attractive to me,” she said, “I was drawn into exercising, and made a lot of progress, and setting myself a new goal every now and then. But this is also a source of anxiety and stress, and once I couldn’t keep up, I would just let go.” (read more...)

A thin standing rocket with Maxus written from upside down on its bottom half, it is located in the old city center of Kiruna. Around it there are trees without leaves. in the background there is a hill with snow on it, that is where the iron ore mine is located.

As Above, So Below: Vertical Territory in Northern Sweden

Space exploration in northern Sweden often gains meaning in relation to mining. In this blog post, I ask: how does mining serve as a “speculative device” (McCormack 2018) for envisaging a future beyond Earth? I was drawn to the topic of outer space infrastructures by the Swedish Space Corporation’s ongoing expansion of its rocket launch site, located outside the subarctic city of Kiruna. This expansion aims to turn what has thus far been a sounding rocket range into a full-fledged launch site for small satellites, undertaken in anticipation of a dramatic increase in the demand for launch services over the forthcoming decades. The land occupied by the spaceport and its impact area, twice the size of Luxembourg, interferes with the reindeer herding lands of four Sámi villages. In early 2022, I traveled to Kiruna to begin inquiring into the politics of space exploration in Sweden, focusing in part on the relation between the launch site and the reindeer herders. Yet, eluding my questions about space and instead shifting the conversation to mining, several of the herders I spoke with urged me to consider how outer space was often shot through the region’s long-running history of underground resource extraction. (read more...)

Panel 6: There are two panels, with text around both. On the left, it reads / Il y a deux panneaux, avec du texte autour des deux. À gauche, on peut lire : "Disability justice organizer Mia Mingus reminds us that political refusals cost disabled lives." Inside the square is a skeleton in brown ground, with some grass. A l'intérieur du panneau se trouve un squelette dans un sol brun, avec un peu d'herbe. Inside the right panel, the text reads / À l'intérieur du panneau droit, le texte dit : "We will not trade disabled deaths for abled life. We will not allow disabled people to be disposable or the necessary collateral damage for the status quo." "Nous n'échangerons pas les décès d'handicapés contre une vie valide." The right panel has a drawing of an IV hanger. Le panneau de droite présente le dessin d'un support de perfusion.

Is it Going to Be Okay? / Est-ce que ça va aller?

This is is a multilingual comic that serves as a meditation on the infrastructures of COVID-19, care, and time. In the spirit of the multilingual spaces I inhabit in Tio’tia:ke/Mooninyaang/Montréal, I have chosen to write bilingually—a process that can be messy, but that speaks to my experiences of COVID-19 locally as I am thinking of COVID-19 globally. (read more...)

The image shows a faded white wall in the background. There are two boards hanging on the wall. The board on top is a framed newspaper story with the title “Changa Nursery Farm.” The board on the bottom is a faded newspaper clipping that has been taped to the wall and shows the photo of Pakistan’s founder (Muhammad Ali Jinnah) and Pakistan’s national poet (Allama Iqbal). On the top of the photos is an empty tube light frame and an energy saver bulb.

Grafting with Care: Encountering Human-Plant Relations Through Experiments with Roses

When seen through the experiences and histories of experimentation and care, plants such as roses can bring new insights into the affective and material entanglements of more-than-human relations. My ethnographic encounter with Mr. Changa, a prominent figure in the world of horticulture and plant nurseries in Pakistan, gives us a glimpse on “seeing and being-with” (Haraway 1998) non-human others, such as roses, to foreground the making of social worlds through affect. These encounters show that even though colonial inscriptions on social understandings of nature were marked in influences over tastes and attitudes (Mintz 1985), an attention to nuanced affects, articulations, and values can disrupt the process of creating “authentic” relations with plants and singular legacies of expertise. Writing against the dominance of an object-oriented ontology in mainstream science and technology narratives, this post follows scholarship that emphasizes an “anthropology beyond the human” (Kohn 2013) to center the connections between plants and humans as not only metaphorical but literal (De La Cadena 2010). (read more...)

Book cover -- The Routledge Companion to Media Anthropology

If I Could Talk to the Algorithm

In the film Doctor Dolittle (1967), the title character yearns to “Talk to the Animals,” as the song goes, to understand their mysterious and often vexing ways. It is interesting to observe a similar impulse to understand and communicate with algorithms, given their current forms of implementation. Recent research shows that intense frustration often emerges from algorithmically driven processes that create hurtful identity characterizations. Our current technological landscape is thus frequently embroiled in “algorithmic dramas” (Zietz 2016), in which algorithms are seen and felt as powerful and influential, but inscrutable. Algorithms, or rather the complex processes that deploy them, are entities that we surely cannot “talk to,” although we might wish to admonish those who create or implement them in everyday life. A key dynamic of the “algorithmic drama” involves yearning to understand just how algorithms work given their impact on people. Yet, accessing the inner workings of algorithms is difficult for numerous reasons (Dourish 2016), including how to talk to, or even about, them. (read more...)

Platypus in 2023

Welcome to Platypus in 2023! We’re excited for another year of anthropological and social thinking around science and technology. Last year we had over forty-five posts on topics ranging from photoshopping desire to monstrous matter to human-tree relationships to anti-racism in anthropology, as well as several Platypod episodes on disability and toxicity, ableism in higher ed, and more. The blog had over seventy-six thousand visits in 2022 and maintains a readership from 187 different countries. We’re looking forward to another engaging year. We feel such gratitude to you, our readers; thanks for stopping by every week. And thank you to our authors and contributors. If you’re interested in writing or creating for Platypus this year, read on. (read more...)

The cover of the book Pollution is Colonialism which has a black background with a petri dish on it.

Reading Max Liboiron’s Pollution is Colonialism in a Chemistry Lab

Pollution is Colonialism (Liboiron 2021) uses plastics to trace pollution in fish stomachs in Newfoundland while showing how this pollution is embedded in bad “land relations.” For Liboiron, land relations refers to how land is assumed to be available for settler goals and how it allows for some pollution to occur.  One of their main goal in thinking about environmental science as a practice is to see how science can align with or against colonialism. They point to the fact that even when researchers work toward benevolent goals, environmental science and activism are often premised on a colonial worldview and access to land. Colonialism, according to Liboiron, who borrows their ideas on the subject from Tiffany Lethabo King, is not just bad action or even intention but a set of relations that allows for bad land relations to occur and make sense. Their aim is to illuminate how pollution is not a symptom of capitalism but a violent enactment of colonial land relations that claim access to Indigenous land. (read more...)