Tag: infrastructure

Milei, Crowds, and Concrete Waves in Argentina

I am home, reading Stefan Helmreich’s new book, A Book of Waves (2023). The news on TV then catches my attention: I see images from the inauguration of Argentina’s new president, Javier Milei. The syntagmatic association is obvious: Milei is a new addition to the wave of authoritarian populist rulers now in office. I let out a long sigh, thinking about the future of my relatives and friends in Buenos Aires. Once again, I failed miserably in my ability to forecast election results. Previously, I missed the mark for the 2016 elections in the US and the 2018 elections in Brazil. For many years, my anthropological work has been with forecasts, albeit atmospheric ones (e.g., Taddei 2015, 2020). I often poke fun at my friends in meteorology, telling them that society is more complex than the atmosphere—perhaps to justify why we in the social sciences are so bad at forecasting collective human behavior. In any case, I have the feeling that, of all the uses of the wave metaphor, perhaps this one, associated with extreme rightwing nationalistic politics at the international stage, is the most elusive and misguiding. Is the waviness of the phenomenon derived from any measurable feature, like it is for natural phenomena such as physical ocean waves or El Niño? Or is the waviness just ascribed afterward simply as a familiar semantic container for a myriad of facts so that the public can hold it in their minds? In any case, physical oceanographers also read waves backward. They call it an inverse problem (Helmreich 2023, 258). (read more...)

AI as a Feminist Issue

By choosing to look at the funding from the American Government on this field, I aim to tell a different story about AI. A quick search for the word “librarian” on Google reveals images upon images of women holding books amongst big shelves, attending to patrons, reading stories for children, or stocking book shelves. Librarian is one of those professions that, like many others, such as nurse and secretary, have been associated with the female world.  If this text is about AI, you might be asking why I’m writing about libraries and librarians–but as scholars Safyia Noble (2018) in her Algorithms of Oppression and Monica Westin (2023) more recently have shown, what most people in Western countries usually understand as the internet, and what fuels the data collection of digital information that feeds generative artificial intelligence (AI) such as ChatGPT, was first started in the 1970s by groups of librarians (read more...)

Female Truck Drivers in China Navigate Gender Norms on Douyin

It’s dark outside: 4:34 AM. I am peering through a truck’s windshield, gazing at a seemingly endless stretch of highway. “Female truck driver Li Ping is live streaming,” reads the title above the Douyin video player. It’s accompanied by the option to follow Li Ping’s account. Li Ping and her sister converse with fans, their voices audible, but the camera remains directed out the window, capturing the drive and road ahead. “Have you all woken up from a night of sleep?” a voice asks. It belongs to Li Ping’s younger sister, whose weariness is evident in the countless yawns that follow. The chat springs to life as fans engage, their messages reflecting varied states of wakefulness: some have just risen, some couldn’t fall asleep, and others are truck drivers like Li Ping who have been awake and on the road. A robotic navigation voice reminds them to take a break. The camera captures the uninterrupted expanse of mountains; rest stops and service areas are nowhere in sight. Fans implore Li Ping’s sister to turn the camera and reveal herself and her sister. She replies, enticing them with the promise that if gifts are given, they will be granted a glimpse. The navigation voice reminds them again to take a break. They continue driving on. Below, a row of vibrant stickers awaits my interaction, offering the opportunity to support Li Ping through virtual items like hearts, flower bouquets, and cars, which streamers can later cash out for real money. (read more...)

The Perfect Fit

In my new book, The Perfect Fit: Creative Work in the Global Shoe Industry (University of Chicago Press, 2022) I study the work of repair and maintenance necessary to keep the global scale going. I do so by studying the work and lives of experts in charge of the design and development of shoes for the US market. Research for this project began in 2012. I conducted five years of research between New York City (USA), Dongguan (China), and Novo Hamburgo (Brazil), scrutinizing the friction between expert work and cheap labor in the production of a ubiquitous commodity: leather shoes for the US women’s market. Low-level commodity production is not usually thought of as a place where knowledge is produced. Rather, it is studied either through a global value-chain approach or an attention to shop-floor politics. In this unexpected match between case and theory, I aim to defamiliarize the work of coordinating tacit and embodied forms of knowing. (read more...)

As Above, So Below: Vertical Territory in Northern Sweden

Space exploration in northern Sweden often gains meaning in relation to mining. In this blog post, I ask: how does mining serve as a “speculative device” (McCormack 2018) for envisaging a future beyond Earth? I was drawn to the topic of outer space infrastructures by the Swedish Space Corporation’s ongoing expansion of its rocket launch site, located outside the subarctic city of Kiruna. This expansion aims to turn what has thus far been a sounding rocket range into a full-fledged launch site for small satellites, undertaken in anticipation of a dramatic increase in the demand for launch services over the forthcoming decades. The land occupied by the spaceport and its impact area, twice the size of Luxembourg, interferes with the reindeer herding lands of four Sámi villages. In early 2022, I traveled to Kiruna to begin inquiring into the politics of space exploration in Sweden, focusing in part on the relation between the launch site and the reindeer herders. Yet, eluding my questions about space and instead shifting the conversation to mining, several of the herders I spoke with urged me to consider how outer space was often shot through the region’s long-running history of underground resource extraction. (read more...)

Is it Going to Be Okay? / Est-ce que ça va aller?

This is is a multilingual comic that serves as a meditation on the infrastructures of COVID-19, care, and time. In the spirit of the multilingual spaces I inhabit in Tio’tia:ke/Mooninyaang/Montréal, I have chosen to write bilingually—a process that can be messy, but that speaks to my experiences of COVID-19 locally as I am thinking of COVID-19 globally. (read more...)

Heritage, Memory, and Infrastructure

There are places and moments in America where this nation’s destiny has been decided. Many are sites of war – Concord and Lexington, Appomattox, Gettysburg. Others are sites that symbolize the daring of America’s character – Independence Hall and Seneca Falls, Kitty Hawk and Cape Canaveral. Selma is such a place. In one afternoon 50 years ago, so much of our turbulent history – the stain of slavery and anguish of civil war; the yoke of segregation and tyranny of Jim Crow; the death of four little girls in Birmingham; and the dream of a Baptist preacher – all that history met on this bridge. (President Barack Obama, March 2015) Standing on the Edmund Pettus Bridge in Selma, Alabama, on the fiftieth anniversary of the 1965 March to Montgomery, President Obama delivered these words to honor the traumatic history of Bloody Sunday. With “history me on this bridge,” the bridge stood as a sinister totem to a period of violence that Obama, as the first Black president, had seemingly redeemed, representing the promise of a new American nation that elected what it had once lynched. (read more...)

Days of Their Lives: The Limits, Possibilities, and Parallels of Media-Ted Research during a Pandemic

On a regular day, a Hindi soap opera production set in Mumbai is home to upwards of 100 artists and technicians – production associates, actors, make-up artists, costume artists, lighting technicians, assistant directors, creatives, and spot boys.  Their collective efforts ensure that audiences have new episodes to look forward to daily. Come rain, hail, or shine, through collaborations and conflicts, together they build melodramatic worlds that entertain millions of households in India. But what happens when the meaning of “regular” is redefined? What happens when even two become a crowd? When the first wave of COVID-19 hit Mumbai in March 2020, it brought, among other things, the Hindi soap opera industry to a halt. Daily production activities of soap operas across channels were abruptly paused. Sets had to be abandoned in haste when a citywide lockdown was announced. The absence of film work meant that workers would go without payments (read more...)