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A worn rain-harvesting cistern on the left is connected to the rooftop of a house via a white pipe. The cistern is cylindrical with a cone top. It is white and gray and shows signs of wear. Chickens and ducks walk around in front of the cistern.

Madam Cistern

The following monologue was originally written in Portuguese for the ongoing theatrical project Dramaturgias da água e da seca (Water and Drought Dramaturgies), developed by Pavilhão da Magnólia, a professional theatre group from Fortaleza, Ceará, Northeast Brazil. Based on 24 months of fieldwork in Quixeramobim, Ceará, the monologue explores the dynamics of human-water relations in the semi-arid region of Northeast Brazil from the perspective of a social technology that has transformed yearlong access to potable water in the region: the cement, rain-harvesting cistern. (read more...)

A table titled "Identifying Marks of Real and Fake Salvarsan," with four columns titled "Tomasses' Product," "Clements' Product (Lot A)," "Clement's Product (Lot B)," and "The Genuine." Entries in the table are marked as 'packing,' 'tubes,' 'contents of tube,' 'label on tube,' 'serial number,' 'insert circular,' 'ampule,' 'label on ampule,' 'contents of ampule,' and 'chemical analysis.'

Fake, Real, Real, Fake: Salvarsan on the US Medical Market

1913, Chicago: A reporter, assuming the name Edward Donlin, enters a downtown medical establishment that has advertised widely in Midwestern newspapers offering Dr. Paul Ehrlich’s new miraculous cure for ‘blood poison’—syphilis—for a price. ‘Donlin’ pays $2 in fees, then the consultation begins. He feigns concern about recent hair loss, and the doctor (who, matching the picture in advertisements, wears a Van Dyke beard) laughs strangely then turns grave: it is certainly syphilis. He recommends a Wassermann test, a recently-invented syphilis diagnostic, for $20 and Ehrlich’s Salvarsan for $30. Pleading financial difficulty, the reporter holds him off with a $2 down-payment and departs. (read more...)

Drawing More-than-Human Kinship

In my work as an anthropological ethnographer and illustrator, I have been working to connect seemingly disparate disciplines together—at times, even as a messy and rough bricolage. Thinking broadly about kinship—both intra- and inter-species—as a fundamental and foundational practice toward a mutually thriving future, I experiment with different formats and genres to reimagine what it means to produce ethnographic work. This reimagined work is not only informative but also beautiful, like the kinship I experience with my dog, Frank, who is depicted in the illustrations below. My investment in beauty is also an intentional form of resistance against neoliberal capitalist systems that prioritise profit, results, and efficiency over beauty, process, and patience. It matters that the illustrations in this series are digital. Using a software called Procreate on the 11” iPad Pro with an Apple Pencil, I actualise my imaginations on the screen. That is, this specific combination of technologies (read more...)

A marble statue of a man with a hand holding his tunic.

Hippocrates Against Protocols: Experiments, Experience, and Evidence-Based Medicine in Brazil

In this text, I address processes in which science is being claimed, shaken, disputed, and unpredictably rearticulated in Brazil’s medical field. Specifically, I consider denialist practices and movements during the Covid-19 pandemic. Based on an ethnographic approach to a variety of actions by medical groups and institutions that are critical of vaccination against Covid-19 and instead defend the use of drugs (considered ineffective by others) for the “early treatment” of the disease, I seek to highlight how their practices rearticulate, transform, and dispute new meanings, values, and practices of science, rather than simply reject it. Although they are publicly named by the media and scientists as denialists, their practices and discourses, as well as the repercussions of their actions, do not seem to be well explained by mere vulnerability to misinformation, lack of understanding of the technical aspects of the disease, or even the supposedly self-explanatory diagnosis of a frankly anti-science position. On the contrary, as I demonstrate in this essay, these groups resort to different constructions of science to produce their arguments and defend themselves against criticism. They do this by repositioning the content and legitimacy of the evidence on different axes than those of Evidence-Based Medicine (EBM), while at the same time, claiming EBM’s authority. In this sense, the following question animates this text: since the practices of these doctors can be recognized as denialist, how can this concept refer to something beyond a simple and direct refusal of everything that is usually called “science”? (read more...)

AI, Climate Adaptation, and Epistemic Injustice

Amid global climate impacts, vulnerable communities—including indigenous peoples, farmers, fisherfolk, ​​and low-income groups—are frequently expected to adapt, change, and build resilience to uncertain climatic futures. ​​Under these changing conditions, what knowledge practices and frameworks should guide the decision-making of vulnerable communities in addressing climate challenges? What knowledge sources and perspectives should be considered when developing resilience policies and plans, from the supranational to the local level? (read more...)

A crowded event at an art gallery. Artworks are displayed on television screens.

Tokens, Voids, and Archives: Locating Berlin’s NFT Projects

I’m standing on the train platform of U Schloßstraße, an U-Bahn station in Berlin’s Steglitz neighborhood. In front of me is an artwork: a beauty advertisement depicting a smiling woman. The model’s image has been altered with chemical solvents, giving her skin a brushwork-like texture and her complexion a ghostly paleness. I observe the dark, graffitied station around me. The arrivals board says the time is 5:20, but I’m unsure whether it’s early morning or evening. Commuters are wearing winter jackets and KN95 masks. Some read books as they wait for the train. Four young men play a game of tag. I hear the hum of an incoming U9 train and watch its arrival soon after. The doors open and the announcement blasts: Zurückbleiben bitte. Passengers leave the yellow train cars before new ones enter. After a beep, the doors close and the train hums away. The platform empties, leaving only the model’s altered image in my company. Pleased with the experience, I remove the VR goggles and return to a pop-up art gallery on Kurfürstemdamm, Berlin’s famous shopping street. This VR artwork, part of the Immersion series by the artist Vermibus, is now preserved on the Ethereum blockchain as an NFT. It was purchased for 2.4 ETH by Lango1 and remains tied to that user’s Ethereum wallet. Lango1 now owns a singular, authorized copy of the artwork—and with it, a Berlin moment whose physical version has been lost to time. (read more...)

The image shows a green background, with a farm machine in the center. It has grey wheels. We can see the back of the driver in the photo.

Ways of Knowing: Lessons on Agroecological Transitions from a Pothwari Farm

Contemporary agroecological farming is a knowledge-intensive form of production that can maximize the productivity of energy flows, which are central to the productive forces. Cumulatively, it is suggested, the terms and conditions by which the contemporary agrarian question can be resolved is through an agroecological agrarian transition. (Haroon Akram-Lodhi, 2021) Three years ago, I started a farm in my village Tareel, which is located less than ten kilometers outside the metropolitan border of the twin cities of Rawalpindi and Islamabad. Tareel is in the rain-fed Pothwar plateau near the Himalayan foothills, and like many peri-urban areas in South Asia, is rapidly urbanizing and increasingly reliant on the nearby urban economy. The rain-fed nature of agriculture here makes it more prone to climatic risk and loss, and therefore less remunerative. As a researcher and self-identifying ‘citizen planner,’ I was curious if new methods of agriculture could make the sector remunerative enough to counter the desire to convert agricultural land into real estate. Since I was familiar with the emerging significance of agroecology and regenerative agriculture  in climate adaptation, I was motivated to understand what it would take to help us transition towards practices closer to agroecology. (read more...)

There is a pile of industrial garbage in two images. Mostly computer monitors, maybe a fridge. Both images are distorted by gray lines, in the first across the middle, in the second at the top, which obscure most of the garbage. A poem runs across both images linking them together. It reads: there is a sudden loss in the way all of this.

A Vocabulary for Junk in Four Movements

It was really a miracle that he was able to function. He had accumulated so much shit, it was starting to get concerning, or would have, if there had been anyone to be concerned. As it was, all he was, was being practical. Weirdos hoard shit for god knows what reasons but he was keeping a collection of spares. Admittedly, there was a tight line one approaches when one, for example, collects spares for other spares or if you’re missing the very thing to donate parts for in the first place. But he was aware of that. Each time a new thing came into the house, he would reflect on that line. It was a dotted line, like those where you’d put your signature or tear along. Which one it was, that’s an open discourse, to be negotiated anew. As of right now, there was a more practical concern. The (read more...)