technology | Platypus

If I Could Talk to the Algorithm

 Patricia G. Lange  January 31, 2023

In the film Doctor Dolittle (1967), the title character yearns to “Talk to the Animals,” as the song goes, to understand their mysterious and often vexing ways. It is interesting to observe a similar impulse to understand and communicate with algorithms, given their current forms of implementation. Recent research shows that intense frustration often emerges from algorithmically driven processes that create hurtful identity characterizations. Our current technological landscape is thus frequently embroiled in “algorithmic dramas” (Zietz 2016), in which algorithms are seen and felt as powerful and influential, but inscrutable. Algorithms, or rather the complex processes that deploy them, are entities that we surely cannot “talk to,” although we might wish to admonish those who create or implement them in everyday life. A key dynamic of the “algorithmic drama” involves yearning to understand just how algorithms work given their impact on people. Yet, accessing the inner workings of algorithms is difficult for numerous reasons (Dourish 2016), including how to talk to, or even about, them. (read more...)

“Emeryville is Weird”

 Annie Hammang  May 24, 2022

When I would tell people I worked in the small San Francisco Bay Area suburb of Emeryville, they would almost always say, “Emeryville is weird.” And then the conversation would usually stop there, they couldn’t put their finger on quite what they meant. But there’s a strangeness that hangs over the city that everyone feels, and no one can quite describe. Emeryville is mostly made up of tech campuses – the occasion for my fieldwork – and new condos, big box stores and biotech and software companies, along with some bars and restaurants for people on their breaks, and that’s nearly it, because the whole city is one square mile. Emeryville is busy during the day with professionals, who never stay more than a drink or two after work, and the place is mostly cleared out by night. It has a too new kind of feeling where all the buildings (read more...)

Innovation and its discontents

 Adam Gabriele  December 16, 2021

“I’ll never be a billionaire. Now I help other people try to get there, but I just don’t have the emotional well.” These words from a tech company founder-turned-startup-coach would once have surprised me, prompting frantic scribbling in my field journal. One year into an anthropological study of futurists, strategists, designers, and foresight practitioners in Silicon Valley, however, I only nodded and noted the timestamp on my recorder. These once unexpected expressions of emotional and psychological depletion had turned out to be commonplace, imposing themselves to the point of dominating many of our research interviews. (read more...)

Alchemy, Metallurgy, and Modern Chemistry in Post-Medieval Europe: An Intersection of Archaeological Science and the History of Science

 Yi-Ting Hsu  November 2, 2021

What is the first image conjured up in your mind by the word “alchemy”? Influenced by popular culture, it is tempting to picture: somewhere in Renaissance Europe, in a dark dungeon, groups of alchemists fiddling with crucibles over some “book of secrets,” on a quest for the philosophers’ stone, and in pursuit of “transmutation” (i.e. making gold). The exclusivity and secrecy behind alchemy seem to suggest alchemy was the opposite of enlightenment, progress, and modern science. However, there are increasing numbers of studies indicating otherwise (e.g. Martinón-Torres and Rehren, 2005; Martinón-Torres, 2012; Mongiatti, 2009; Veronesi et al., 2021). The practice of alchemy could be more scientific, methodical, and industrial than people have previously imagined. In fact, before 1753, the words “chemistry” and “alchemy” were synonymous (Martinón-Torres and Rehren, 2005). (read more...)

West African Migration: The Dangers of a Single Story

 Alice Hertzog  October 19, 2021

“The single story creates stereotypes, and the problem with stereotypes is not that they are untrue, but that they are incomplete. They make one story become the only story.” Chimamanda Ngozi Adichie The Lagos-Abidjan corridor is one of the fastest-growing urban areas in Africa. It is also a migration route that connects mega-cities, peri-urban sprawl, market towns, and villages. For many people residing along the corridor, there are numerous opportunities to be had by jumping on a packed bus, crossing a land border, and tracking down local contacts. Everyday mobility along the Lagos-Abidjan corridor is a far cry from the tired tropes of African migration. Such tropes often feature trafficking, illegal migration, and perilous crossings of the Sahara and Mediterranean. This isn’t the full story—, in fact, it’s just a tiny part of it, as most migration in West Africa is regional. Indeed, the International Organisation for Migration (2015) reports that regional flows account for 84% of movements within West Africa. There is a false but predominant assumption that all sub-Saharan migrants are heading to Europe; one way to counter this is through telling more balanced stories about trans-local and regional migration. (read more...)

Fetishes or Cyborgs? Religion as technology in the Afro-Atlantic space

 Giovanna Capponi  October 12, 2021

(Editor’s Note: This blog post is part of the Thematic Series Data Swarms Revisited) Afro-Brazilian religions like Candomblé, Umbanda or Xangô, are a cluster of religious practices that originated mostly in West Africa, especially in Yorubaland (Nigeria and Benin), but also in Congo and Angola. Similar to other Afro-diasporic religions (i.e. Vodou in Haity and Santeria in Cuba), Candomblé shares many elements with West African traditional religious practices, like the names and characteristics of their deities (called orixás in Brazilian Portuguese and òrìṣà in Yoruba). These deities embody elements of the natural landscape and atmospheric phenomena that are regarded as personas with their own material and spiritual agency. However, in the whole Afro-Atlantic space the most important common trait is the presence fabricated objects. After a ritual procedure they become the bodies and the material manifestation of the deities themselves. These objects, often referred to as “fetishes,” represent the point of mediation between the material and the spiritual world (Meyer 2012: 15). Indeed, Western conception of materiality is often charged with moral implications, opposed to the pure and transcendent qualities of the spirit (Espírito Santo 2010). Conversely, in Afro-Atlantic religions, objects, elements and atmospheric phenomena are considered to be alive or to have a certain individuality, will or personality, in a way that the scientific Western thought would consider unacceptable. (read more...)

Like, Share, Comment, and Follow: Labor and Capital on Instagram

 Lakshita Malik  July 14, 2021

Social media content creator Ishita Mangal (@ishitamangal) uploaded a post with multiple slides on her Instagram page. The first slide is entitled “an apology letter to my audience.” In the rest of the slides, she highlights a “barter collaboration” gone sour. The collaboration entailed the digital creator featuring four Indian kaftans (a type of clothing) brands on her Instagram page in exchange for keeping the outfits that she would feature. One of the brands was singled out, with their Instagram handle mentioned in the caption for viewers of the post to easily access. The brand was accused of harassing the digital creator; walking back on the terms of the agreement; asking for the garment in question back after “absorbing maximum benefits of all the posts on various platforms.” The digital creator proceeds to tell the tale of harassment and “extortion” she experienced at the hands of the luxury brand owner. (read more...)

Days of Their Lives: The Limits, Possibilities, and Parallels of Media-Ted Research during a Pandemic

 Sreenidhi Krishnan  June 17, 2021

On a regular day, a Hindi soap opera production set in Mumbai is home to upwards of 100 artists and technicians – production associates, actors, make-up artists, costume artists, lighting technicians, assistant directors, creatives, and spot boys. Their collective efforts ensure that audiences have new episodes to look forward to daily. Come rain, hail, or shine, through collaborations and conflicts, together they build melodramatic worlds that entertain millions of households in India. But what happens when the meaning of “regular” is redefined? What happens when even two become a crowd? When the first wave of COVID-19 hit Mumbai in March 2020, it brought, among other things, the Hindi soap opera industry to a halt. Daily production activities of soap operas across channels were abruptly paused. Sets had to be abandoned in haste when a citywide lockdown was announced. The absence of film work meant that workers would go without payments (read more...)