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Image of several men in formal attire looking toward India's first digital computer. The image is in black and white. India's first Prime Minister, Jawaharlal Nehru, reaches out to interact with the computer, while four other men close to him look on at the Tata Institute of Fundamental Research. Among the onlookers are Professor M. S. Narasimhan and Homi Bhabha. Away from the computer, against the wall, two other men look toward the demonstration, standing by the edges of the room.

​​Traveling but Not Arriving: Hieroglyphics of Caste in Computing

When I landed in Bangalore in early 2020, it was a long-awaited moment of my grad school journey. I had finally defended my proposal and was set to transition into fieldwork in the next couple of months. In my preparation for fieldwork, I had read many ethnographies, most of which had an arrival scene. It seemed that the first couple of weeks of entering a field site presented a crucial lever of juxtaposition for ethnographic writing that lends itself to evocative descriptions of the setting. The “arrival trope” has been long challenged in anthropology through accounts that complicate the narrative of an ethnographer entering an unperturbed native setting (Pratt 1986). Pratt also complicates the artificial distinction between personal narrative and “objective” description, particularly as they are blurred in moments of transition or arrival in ethnographies. For me, the trope of arrival was exciting despite all its problems because it finally gave me an opportunity to re-enter a world that I was familiar with and describe it on my own terms. I had worked as a software engineer before and now wanted to study gender and caste relations in the computing industry. Dalits, formerly seen as “untouchable” under the caste system, and other lower caste people, have been subjects of upper castes doing research for a very long time. I was looking forward to subverting the arrival trope as a Dalit woman doing ethnography where upper castes were my research subjects. I wanted to do this through participant observation in the computing industry that is highly dominated by upper castes. (read more...)

A stack of differently colored folders rest neatly on top of multiple stacks of identical cardboard boxes. Some boxes sit atop a wooden desk, as in an office.

Extractivism en Papier: Chronotopes of Settler-Colonial Capitalism in Australia

What if the greatest legacy of uranium mining is not its localized radioactive toxicity, but the seemingly mundane set of bureaucratic practices it catalysed? In this post, I reflect on the late 1970s origins of Ranger Uranium Mine located on Mirarr country in remote northern Australia, as revealed in a secret institutional archive. In particular, I focus on the hidden practices that clotted during this timeframe, and how they have structured Indigenous-state extractive relations in Australia ever since. This apparently benign spatiotemporal assemblage of textual, material, and social practices, which I have suggested is a chronotope, is in some ways as insidious as the contamination typically associated with this uranium mine. (read more...)

Netlicks and Chill: Digitalization and Food Politics in Taste the TV (TTTV) Technology

Digital technologies have increasingly penetrated aspects of daily routines and practices — this has only been exacerbated by the conditions put forth by the COVID-19 pandemic. Technologies mediate experiences, thereby generating new forms of engagement with the world (Ihde, 1990). One arena of such digitalization and increased technological entanglement is food; over the last decades, the processes of procuring, growing, preparing, and eating foodstuffs have been inundated with new technologies (Lewis, 2018). From cooking robots and “smart” kitchen appliances to virtual online communities devoted to sharing food-related content and discussing food politics, interactions with food have transformed considerably. These transformations warrant additional inquiries into how food and surrounding processes of tasting and eating may manifest differently in accordance with such technologically-intertwined conditions. (read more...)

A sign on a wooden stick leans slightly askew amid lush green plants in front of a multi-story building.

Ethnographies of Nuclear Life: From Victimhood to Post-Victimization

Iitate village, located in Fukushima Prefecture, is typical of rural Japanese hamlets. One finds large arable lands buttressed by imposing mountains that dazzle with emerald-green colors. Iitate fits perfectly this postcard image that many tourists have of rural Japan, with just one difference: among the fields of green are over a million and a half vinyl bags filled with radioactive tainted soils. Rows of black plastic bags, piled on top of each other, form Mayan-like pyramids as far as the eyes can see. (read more...)

Poster in Green background with the word "Fake" in red across the underlying test

From Amusement to Conscientization: The Purpose of Media Literacy in the Age of Misinformation

In one of my first classes in my Undergraduate program in Media Studies, our Professor displayed a prominent newspaper. The masthead and the front page borders were red in color as opposed to the usual black. Then I noticed that the main headline on the front page was on a revocation of a ban on soft drinks giants, Coca-Cola and Pepsi. Pointing out the promotional strategy used by corporates in the newspaper, our Professor explained that behind every media content figures a series of intended and unintended agendas. (read more...)

Image of a street with white arrows painted on it.

Queered Ruptures: The Politics of Anti-irradiation Maternalism in the TEPCO Nuclear Disaster, Kokutai, and Hentai

It is August 2018 and Ishikawa Chiharu and I are sitting down for tea in an herbalist cafe in Fukushima prefecture. We are reflecting on a recent workshop I had organized with my friend N, a professionally trained dancer, for youth in the anti-irradiation space Chiharu organizes. Commenting on how N began her workshop with a short performance, Chiharu says, Thinking normally, that kind of self-expression is something to be embarrassed of Even if it’s small, I think it would be nice to have a place that tells it’s okay for them not to kill a part of themselves. That’s why when very little was emerging out of Fukushima prefecture, the people who tried to take action were really a little hentai… This essay reflects on the significance of Chiharu’s description of herself and other women active in anti-irradiation efforts as hentai. It reflects on the sense that Japanese mothers who take issue with nuclear reconstruction in late capitalist Japan are perverse and aberrant. (read more...)

Large stacks of yellow, white, and red crates and drums are piled neatly in a massive sandy pit, set against a low mountainous landscape.

Reactions and Ruptures: Ethnographies of Nuclear Life

In one sense, nuclear materials direct our attention to the vibrancy and reactivity of all material life. Nuclear elements such as uranium, radium, thorium, and plutonium regularly leak electrons during the process known as radioactive decay or nuclear disintegration, intra-acting and transforming themselves and others in unpredictable ways (see Barad 2007). At the same time, nuclear events and places are also often framed as ruptures, whether in the form of nuclear weapons detonations, nuclear disaster inquiries, the creation of new nuclear power or waste projects, or the founding of new mines to unearth nuclear elements. From this perspective, nuclear events such as the 2011 Fukushima Daiichi nuclear disaster somehow signal a break, implying that before, the Fukushima region was untouched by disruptive energies and effects of the nuclear. A nuclear actor enters, causes a break, and leaves worlds permanently altered. (read more...)

A person taking picture with their phone in a dark room with blue digital art projected on the walls

Platypus in 2022

As the new year and the new semester have been off to (hopefully) a good start, Platypus is coming back to work too. Building on a decade of work (this year Platypus turns 10!), in 2022, we will continue our commitment to providing a platform for diverse voices and critical scholarship at the intersection of anthropology and STS. We have a new team, new projects, and a great deal of enthusiasm, as always. We can’t wait to offer our readers more experimental and multimodal content (powered by Platypus’s biggest team of talented multimodal contributing editors to date!), increase the linguistic accessibility of Platypus’s materials (possible with the support of invaluable multilingual volunteers!), and widen the spectrum of genres and means of academic expression (supported by our brilliant web producer and contributing editors). Stay tuned! (read more...)