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A bulky machine with a few keys sits on a large black table, with other supplies on it in the background, and a large informational poster about braille hangs on the wall behind it.

As If I Were Blind…

What is an experience and how can it be conveyed and communicated to others? “A focus on “The Experience” signals a technology has been designed with a consideration for the user’s experiences. It is supposed to indicate  a technology’s role and contribution to everyday life, and the likelihood of its success once implemented. Given its popularity in design contexts, the term “experience” seems unusually rare in anthropology, with a few notable exceptions (e.g., Bruner, 1986; Turner, 1986; Hastrup, 1995, for example). This is so despite the fact that we, as anthropologists, can definitely be said to “experience” a way of living other than the one we are used to when we carry out fieldwork. This experience begins with our first encounter with another culture and its people, and continues into the writing stage, with our concerted attempts to communicate the complicated cultural aspects of the places and peoples we study (read more...)

An iron sculpture of a human form, photographed from behind, stands on an ocean beach looking out to sea. Its legs are embedded in the sand, up to the knees. In the distance, just past the tide line, another figure stands in the water. There is a buoy further out in the water.

Transhumanism, Tragic Humanism, and The View From Nowhere

A number of scholars of post-humanity (such as Hayles and Wolfe) have argued that transhumanism is an unduly optimistic extension of humanism. I can’t agree – not only is it not optimistic, it is not a humanism. Transhumanism is filled with the anxiety of extinction. It also is enthused enough about non-human flourishing that it marks a departure from humanism (besides: is anything more optimistic than humanism in its enlightenment mode?). Transhumanism’s posthumanist stance is the continuation of enlightenment technoscience in so far as it centralizes human technology, even if it projects the technoscientific breakdown of humanity. However, insofar as its ideas and projected technologies propose an almost panpsychic collapse of mind and matter, it pushes us beyond reductive materialist, secular and humanist arrangements, and points to some interesting new openings. (read more...)

Aerial photograph of a freight village.

Infrastructure as New Life?

Today, logistics as the science and industry of cross-border transportation of mainly industrial products drives “revolutions” from energy to retail. As most world economies continue to accelerate their involvement with economic globalization, logistics continue to take over local economies in many regions around the world. Paradoxically, many states and sovereigns around the world are also looking (back) to logistics infrastructure as a panacea to curb the half-century-long devastating effects of deregulation of trade, finance and services on nation-state-centric political economies. One can observe this move both in countries of North America and Europe, where the post-1950s deterioration of public infrastructures has long been a problem. The Right’s recognition of this deterioration was at least partly responsible for carrying it into power, for example, in the U.S., although the Left has also occasionally touted this kind of infrastructure politics. In places like China, or Turkey, a country with which I am more familiar, economic development based on the infrastructure, transport, and construction sectors is much newer. This move toward infrastructure, though, at the same time may reflect the end of sovereign state authority, at least as we know it, and the beginning of a new kind of statecraft. (read more...)

Photograph of clear vials labeled "erase" and "replace" it says "Be invisible" above them.

The Work of Art in the Age of Digital Reproduction: A Conversation with Heather Dewey-Hagborg

Walter Benjamin’s well-known piece the “Work of Art in the Age of Mechanical Reproduction” has long been a canonical essay on the role art plays in the age of automation. Benjamin saw art both as fueled and altered by mechanization. In a conversation with artist Heather Dewey-Hagborg, a partial transcript of which follows below, the role of art in the age of digital reproduction, to paraphrase Benjamin, emerged as a critical theme. Heather’s work, which spans over a decade, is a complex meditation on the contemporary experience of widening digitization. Her work Stranger Visions is perhaps the best known: a project where she reconstructs faces from DNA left on refuse she’s found on the street – a chewed up piece of gum, a stray piece of hair, a lip stain on a glass – into voluptuous, three dimensional portraits. During our conversation, we talked about the creative and the intellectual (read more...)

An image of the Hugo Award logo, depicting a stylized two-tone rocket standing above the words "Hugo Award."

The Nerd is Dead, Long Live the Nerd!

Editor’s note: This is a co-authored post by Lina Eklund and Evan Conaway. On the internet, a war for identity is being fought in the previously hidden depths of nerd subcultures. In this post we offer a view from the trenches,  examining the rise of a new nerd as different opposing sides embrace the networked structure of online social life. We propose that shifting nerd identities offer new venues for thinking through how technology shapes and is shaped by culture. During the last half-decade, “alt-righters” (we are using the term loosely) and so-called “social justice warriors” (or SJWs) have exchanged blows on social media networks, forums, news-sites, etc. Seemingly everywhere on the internet the right to define oneself as a nerd is being contested at institutional, commercial, technical, and social levels. Originally the preoccupation of a select group of white men, being a nerd is now available to everyone, everywhere as subcultures expand into mainstream culture. (read more...)

Painting of vaqueros rounding up cattle in 1830s Spanish California

Conspiracies, Fake Social Networks, and Young Blood | Weekly Round-Up, June 23, 2017

This latest installment of our intermittently-weekly round-up brings you posts on machines that do conspiracies, transhumanism and capitalism, algorithms (beginning to be a staple), and biomedical vampirism. What more could you ask for? If you see anything around the web that you think we ought to include, please drop us a line. (read more...)

Looking up from below, a man in a tree uses a long pole to collect specimens. The image is dominated by the green of the canopy, with a little sky breaking through.

Lists, Indices and the Ownership of Biodiversity Conservation

Prior to the emergence of “biodiversity loss” as a ubiquitous way of talking about species extinctions in the 1990s, taxonomic biology was considered a dying field. The physical inspection of specimens to assign them to biological categories had long had a reputation as a hobby for “crusty old men and their dusty shelves”, as one botanist joked during my research in Ecuador. Biology’s cutting edge was genomics. But with an explosion of concern for a global extinction crisis, taxonomically-trained biologists and their cheap, low-tech methods occupied a central role in 1990s Latin American conservation efforts (e.g. Raven and Wilson 1991). In this post, I briefly consider how taxonomically-oriented field biology relates to other, typically quantitative ways of evaluating biodiversity. Taxonomy played an important role in establishing where conservation should focus its efforts. An increased emphasis on quantitatively linking biodiversity to other environmental problems has meant an increased role for other kinds of expertise (Gabrys 2016). It has also meant a return to the margins for taxonomic expertise. Examining the tools used to evaluate the biotic environment sheds light, both on the different kinds of questions that can be asked about it, and on the shifting place of different kinds of expertise in environmental governance. (read more...)

An upright iPad resting in a bulky, pink plastic case that encircles it like a frame, and has a wide base to support it.

Personal Computing and Personhood in Design and Disability

Editor’s Note: This is the third post in the series on Disabling Technologies When I try to explain augmentative and alternative communication (AAC) devices to those unfamiliar, I usually start with physicist Stephen Hawking, who has amyotrophic lateral sclerosis (ALS). Hawking speaks using a high-tech computerized AAC device with synthetic speech output (Mialet, 2012). The electronic voice communicates to others the text that Hawking selects from a cursor moving across the computer screen mounted to his wheelchair using his cheek movement as input. These sorts of ‘tools for talking’ are also used by those with other disabilities and medical conditions that potentially impair oral speech such as autism, cerebral palsy, or a stroke. AAC devices are mobile by definition, as they ought to move with a person as they move through the world (Reno, 2012). They are becoming more “mobile” in another sense too. Individuals increasingly have the option of using AAC devices that take the material form of ordinary smartphones, tablet computers, and mobile apps that simulate software on specialized computers dedicated to AAC (Alper, 2015). (read more...)