Tag: ethnography

Making Companion Species at a Robotics Lab

I spent many a warm summer day holed up inside a robotics laboratory, analyzing various datasets for my Human-Robot Interaction (HRI) research project. The room was often dark and the windows were small. My desk, located in the left corner furthest from the entrance, rarely received any sunlight. On several days, the lab would be empty. I’d be left with nothing but the company of browning tube lights, dangling cables and wires, and robots used in the lab’s Human-Computer Interaction (HCI) experiments. (read more...)

Junk Anthropology: A Manifesto for Trashing and Untrashing

It is currently held, not without certain uneasiness, that 90% of human DNA is ‘junk.’ The renowned Cambridge molecular biologist, Sydney Brenner, makes a helpful distinction between ‘junk’ and ‘garbage.’ Garbage is something used up and worthless which you throw away; junk is something you store for some unspecified future use. (Rabinow, 1992, 7-8) In the bioscience lab near Tokyo where I did my ethnographic study, the researchers taught me how to do PCR experiments. This was before Covid when almost everyone came to know what PCR was, or at least, what kind of instrumental information it could be good for. The lab was working with mouse models, although I never got to see them in their cages. But the researcher I was shadowing showed me how to put the mouse tail clippings she collected into small tubes. She hated cutting tails, by the way, and preferred to take ear punches when she could. She told me that she didn’t like the way the mice wiggled under her hand, as if they just knew. But at this point anyway, the mice are alive in the animal room and she is only putting small, but vital, pieces of them into a tube to dissolve them down (mice becoming means), to get to the foundation of what she really wants. (read more...)

Transpositioning, a Hypertext-ethnography

This is a work of hypertext-ethnography. It is based on my research of a small genetics laboratory in Tokyo, Japan where I am studying the impact of the transnational circulation of scientific materials and practices (including programming) on the production of knowledge. In this piece, I draw primarily from my participant observation field notes along with interviews. I also incorporate other, maybe more atypical, materials such as research papers (mine and others), websites and email. The timeframe for this work is primarily the spring of 2020 and the setting is largely Zoom. Although I began my research in 2019 physically visiting the lab every week, in April 2020, it—and most of the institute where the lab is located—sent researchers home for seven weeks. That included me. Luckily, the lab quickly resumed its regular weekly meetings online (between the Principal Investigator (PI) and individual post-docs for example, as well as other (read more...)

If I Could Talk to the Algorithm

In the film Doctor Dolittle (1967), the title character yearns to “Talk to the Animals,” as the song goes, to understand their mysterious and often vexing ways. It is interesting to observe a similar impulse to understand and communicate with algorithms, given their current forms of implementation. Recent research shows that intense frustration often emerges from algorithmically driven processes that create hurtful identity characterizations. Our current technological landscape is thus frequently embroiled in “algorithmic dramas” (Zietz 2016), in which algorithms are seen and felt as powerful and influential, but inscrutable. Algorithms, or rather the complex processes that deploy them, are entities that we surely cannot “talk to,” although we might wish to admonish those who create or implement them in everyday life. A key dynamic of the “algorithmic drama” involves yearning to understand just how algorithms work given their impact on people. Yet, accessing the inner workings of algorithms is difficult for numerous reasons (Dourish 2016), including how to talk to, or even about, them. (read more...)

Platypod, Episode One: Technologies and Politics of Accessibility

In its opening episode, Platypod presents a conversation between Cassandra Hartblay (University of Toronto) and Zihao Lin (University of Chicago). They discuss their research on accessibility cultures, politics, and technologies. This episode was created with the participation of Cassandra Hartblay (the University of Toronto, speaker) and Zihao Lin (the University of Chicago, speaker), Kim Fernandes (University of Pennsylvania, host), Svetlana Borodina (Columbia University, host), Gebby Keny (Rice University, sound editor), and Angela VandenBroek (Texas State University, CASTAC web producer). The transcript of their conversation is accessible below. (read more...)

Monstrous Matter, Out of Place

The following is an autoethnographic comic about my experiences re-understanding a new diagnosis through revisiting Mary Douglas’s Purity and Danger. (And yes, the final panel is from a conversation I did have with a grad student colleague and dear friend.) (read more...)

​​Traveling but Not Arriving: Hieroglyphics of Caste in Computing

When I landed in Bangalore in early 2020, it was a long-awaited moment of my grad school journey. I had finally defended my proposal and was set to transition into fieldwork in the next couple of months. In my preparation for fieldwork, I had read many ethnographies, most of which had an arrival scene. It seemed that the first couple of weeks of entering a field site presented a crucial lever of juxtaposition for ethnographic writing that lends itself to evocative descriptions of the setting. The “arrival trope” has been long challenged in anthropology through accounts that complicate the narrative of an ethnographer entering an unperturbed native setting (Pratt 1986). Pratt also complicates the artificial distinction between personal narrative and “objective” description, particularly as they are blurred in moments of transition or arrival in ethnographies. For me, the trope of arrival was exciting despite all its problems because it finally gave me an opportunity to re-enter a world that I was familiar with and describe it on my own terms. I had worked as a software engineer before and now wanted to study gender and caste relations in the computing industry. Dalits, formerly seen as “untouchable” under the caste system, and other lower caste people, have been subjects of upper castes doing research for a very long time. I was looking forward to subverting the arrival trope as a Dalit woman doing ethnography where upper castes were my research subjects. I wanted to do this through participant observation in the computing industry that is highly dominated by upper castes. (read more...)

Fetishes or Cyborgs? Religion as technology in the Afro-Atlantic space

(Editor’s Note: This blog post is part of the Thematic Series Data Swarms Revisited) Afro-Brazilian religions like Candomblé, Umbanda or Xangô, are a cluster of religious practices that originated mostly in West Africa, especially in Yorubaland (Nigeria and Benin), but also in Congo and Angola. Similar to other Afro-diasporic religions (i.e. Vodou in Haity and Santeria in Cuba), Candomblé shares many elements with West African traditional religious practices, like the names and characteristics of their deities (called orixás in Brazilian Portuguese and òrìṣà in Yoruba). These deities embody elements of the natural landscape and atmospheric phenomena that are regarded as personas with their own material and spiritual agency. However, in the whole Afro-Atlantic space the most important common trait is the presence fabricated objects. After a ritual procedure they become the bodies and the material manifestation of the deities themselves. These objects, often referred to as “fetishes,” represent the point of mediation between the material and the spiritual world (Meyer 2012: 15). Indeed, Western conception of materiality is often charged with moral implications, opposed to the pure and transcendent qualities of the spirit (Espírito Santo 2010). Conversely, in Afro-Atlantic religions, objects, elements and atmospheric phenomena are considered to be alive or to have a certain individuality, will or personality, in a way that the scientific Western thought would consider unacceptable. (read more...)